<html> <head> <title>Sentiment. Le contact prime sur lui. </title> </head> <body> <div align=center><table border=1><tr> <td><a href="http://www.cafe.umontreal.ca/cle/index.html"><img src="http://www.cafe.umontreal.ca/images/i-cle.gif" width=24 height=24 alt="">&nbsp;La Cl&eacute;</a></td> <td><a href="http://www.cafe.umontreal.ca/cle/listes/index.html"><img src="http://www.cafe.umontreal.ca/images/i-indx.gif" width=24 height=24 alt="">&nbsp;Index</a></td> <td><a href="http://www.cafe.umontreal.ca/cle/circonst.html"><img src="http://www.cafe.umontreal.ca/images/i-circ.gif" width=24 height=24 alt="">&nbsp;Circonstances</a></td> <td><a href="http://www.cafe.umontreal.ca/cle/taboprnd.html"><img src="http://www.cafe.umontreal.ca/images/i-oped.gif" width=24 height=24 alt="">&nbsp;Op&eacute;randes</a></td> </tr><tr> <td><a href="http://www.cafe.umontreal.ca/cle/emploi.html"><img src="http://www.cafe.umontreal.ca/images/i-mode.gif" width=24 height=24 alt="">&nbsp;Mode d'emploi</a></td> <td><a href="http://www.cafe.umontreal.ca/cle/exemple.html"><img src="http://www.cafe.umontreal.ca/images/i-exem.gif" width=24 height=24 alt="">&nbsp;Exemples</a></td> <td><a href="http://www.cafe.umontreal.ca/genres/lst-gnr.html"><img src="http://www.cafe.umontreal.ca/images/i-genres.gif" width=24 height=24 alt="">&nbsp;Genres litt&eacute;raires</a></td> <td><a href="http://www.cafe.umontreal.ca/cle/taboprtn.html"><img src="http://www.cafe.umontreal.ca/images/i-opet.gif" width=24 height=24 alt="">&nbsp;Op&eacute;rations</a></td> </tr></table></div> <br> <h3 align=center>Sentiment. Le contact prime sur lui. </h3> <font size="-2"><table border=0><tr><td><a href="#127466">COLORATION AFFECTIVE</a> </td><td><a href="#123388">TON SENTIMENTAL</a> </td></tr> <tr><td><a href="#129759">TENDRE PROPOS</a> </td><td><a href="#121137">AMITI&Eacute;</a> </td></tr> <tr><td><a href="#127184">CHALEUR</a> </td><td><a href="#127482">ATTACHEMENT</a> </td></tr> <tr><td><a href="#126744">IDYLLE </a> </td><td><a href="#127777">OARISTYS </a> </td></tr> <tr><td><a href="#128203">AMOUR</a> </td><td><a href="#124818">CATHARSIS </a> </td></tr> </table></font> <hr><table><tr><td align=left> <A NAME="127466"></A> Place-t-on son &eacute;change verbal &agrave; un certain niveau affectif pour qu'il ait un ton? </td><td align=right> COLORATION AFFECTIVE </td></tr><tr><td align=left> Emplois:  &nbsp; <a href="http://www.cafe.umontreal.ca/genres/e-lettre.html#ex?039"><img src="http://www.cafe.umontreal.ca/images/i-livr.gif" alt=" []"></a><a href="http://www.cafe.umontreal.ca/genres/e-dis3oc.html#ex?136"><img src="http://www.cafe.umontreal.ca/images/i-livr.gif" alt=" []"></a><a href="http://www.cafe.umontreal.ca/genres/e-conami.html#ex?023"><img src="http://www.cafe.umontreal.ca/images/i-livr.gif" alt=" []"></a></td><td align=left> </td></tr></table> <hr><table><tr><td align=left> <A NAME="123388"></A> Les m&eacute;lodies de phrase donnent-elles libre cours aux sentiments? </td><td align=right> TON SENTIMENTAL </td></tr></table> <hr><table><tr><td align=left> <A NAME="129759"></A> S'exprime-t-on en vue d'&eacute;tablir un &eacute;change amoureux? </td><td align=right> TENDRE PROPOS </td></tr><tr><td align=left> Emploi:  &nbsp; <a href="http://www.cafe.umontreal.ca/genres/e-letbia.html#ex?040"><img src="http://www.cafe.umontreal.ca/images/i-livr.gif" alt=" []"></a></td><td align=left> L'autobus, tu aurais d&ucirc; &ecirc;tre l&agrave;, tu aurais vu quelque chose. Un de ces zigomars... &Ccedil;a t'aurait amus&eacute;e! </td></tr></table> <hr><table><tr><td align=left> <A NAME="121137"></A> Une relation s'&eacute;tablit-elle sur la base d'une confiance r&eacute;ciproque? </td><td align=right> AMITI&Eacute; </td></tr></table> <hr><table><tr><td align=left> <A NAME="127184"></A> L'intensit&eacute; affective vient-elle gonfler la communication? </td><td align=right> CHALEUR </td></tr><tr><td align=left> Emplois:  &nbsp; <a href="http://www.cafe.umontreal.ca/genres/e-letbia.html#ex?035"><img src="http://www.cafe.umontreal.ca/images/i-livr.gif" alt=" []"></a><a href="http://www.cafe.umontreal.ca/genres/e-lettre.html#ex?035"><img src="http://www.cafe.umontreal.ca/images/i-livr.gif" alt=" []"></a></td><td align=left> </td></tr></table> <hr><table><tr><td align=left> <A NAME="127482"></A> Le rapprochement a-t-il cr&eacute;&eacute; des liens tangibles? </td><td align=right> ATTACHEMENT </td></tr></table> <hr><table><tr><td align=left> <A NAME="126744"></A> Un court po&egrave;me d'amour se d&eacute;roule-t-il dans un cadre pastoral? </td><td align=right> IDYLLE (po&eacute;t., une ---) </td></tr></table> <hr><table><tr><td align=left> <A NAME="127777"></A> Le texte exprime-t-il la tendre conversation de deux amants? </td><td align=right> OARISTYS (emprunt, une ---) </td></tr><tr><td align=left> Emploi:  &nbsp; <a href="http://www.cafe.umontreal.ca/genres/e-ivain.html#ex?030"><img src="http://www.cafe.umontreal.ca/images/i-livr.gif" alt=" []"></a></td><td align=left> Sur la banquette arri&egrave;re se faisait maintenant courtiser par lui une midinette. &laquo;Tendre passion&raquo; disait-il. &laquo;Ne vous haussez pas le cou&raquo; susurrait-elle. </td></tr></table> <hr><table><tr><td align=left> <A NAME="128203"></A> Le locuteur op&egrave;re-t-il un rapprochement affectif? </td><td align=right> AMOUR </td></tr><tr><td align=left> Emploi:  &nbsp; <a href="http://www.cafe.umontreal.ca/genres/e-belinc.html#ex?028"><img src="http://www.cafe.umontreal.ca/images/i-livr.gif" alt=" []"></a></td><td align=left> </td></tr></table> <hr><table><tr><td align=left> <A NAME="124818"></A> Le public se voit-il d&eacute;livr&eacute; de ses pulsions par leur expression publique au th&eacute;&acirc;tre? </td><td align=right> CATHARSIS (psych., la ---) </td></tr></table> <p></p><hr><p></p> <ul> <li>Op&eacute;ration et op&eacute;rande identiques: <br><a href="http://www.cafe.umontreal.ca/cle/cases/c00e22.html"><img src="http://www.cafe.umontreal.ca/images/i-cont.gif" width=24 height=24 alt="">&nbsp;<img src="http://www.cafe.umontreal.ca/images/i-amal.gif" width=24 height=24 alt="">&nbsp;<img src="http://www.cafe.umontreal.ca/images/i-sent.gif" width=24 height=24 alt="">&nbsp;Sentiment. Il se fond avec le contact. </a> <br><a href="http://www.cafe.umontreal.ca/cle/cases/c22g00.html"><img src="http://www.cafe.umontreal.ca/images/i-sent.gif" width=24 height=24 alt="">&nbsp;<img src="http://www.cafe.umontreal.ca/images/i-prep.gif" width=24 height=24 alt="">&nbsp;<img src="http://www.cafe.umontreal.ca/images/i-cont.gif" width=24 height=24 alt="">&nbsp;Contact. Le sentiment prime sur lui. </a></li> <li>Op&eacute;rations voisines: <br><a href="http://www.cafe.umontreal.ca/cle/cases/c0061.html"><img src="http://www.cafe.umontreal.ca/images/i-cont.gif" width=24 height=24 alt=""><img src="http://www.cafe.umontreal.ca/images/i-meta.gif" width=24 height=24 alt="">&nbsp;M&eacute;tamorphose. Un contact prend la forme d'un autre.</a> <br><a href="http://www.cafe.umontreal.ca/cle/cases/c0026.html"><img src="http://www.cafe.umontreal.ca/images/i-cont.gif" width=24 height=24 alt=""><img src="http://www.cafe.umontreal.ca/images/i-rapp.gif" width=24 height=24 alt="">&nbsp;Rapprochement forc&eacute;. Des types de contact oppos&eacute;s sont r&eacute;unis.</a> </li> <li>Op&eacute;randes voisins: <br><a href="http://www.cafe.umontreal.ca/cle/cases/c12g22.html"><img src="http://www.cafe.umontreal.ca/images/i-sent.gif" width=24 height=24 alt=""><img src="http://www.cafe.umontreal.ca/images/i-prep.gif" width=24 height=24 alt=""><img src="http://www.cafe.umontreal.ca/images/i-situ.gif" width=24 height=24 alt="">&nbsp;Sentiment. La situation prime sur lui.</a> <br><a href="http://www.cafe.umontreal.ca/cle/cases/c11g22.html"><img src="http://www.cafe.umontreal.ca/images/i-sent.gif" width=24 height=24 alt=""><img src="http://www.cafe.umontreal.ca/images/i-prep.gif" width=24 height=24 alt=""><img src="http://www.cafe.umontreal.ca/images/i-locu.gif" width=24 height=24 alt="">&nbsp;Sentiment. L'auteur prime sur lui.</a> <br><a href="http://www.cafe.umontreal.ca/cle/cases/c00g10.html"><img src="http://www.cafe.umontreal.ca/images/i-idee.gif" width=24 height=24 alt=""><img src="http://www.cafe.umontreal.ca/images/i-prep.gif" width=24 height=24 alt=""><img src="http://www.cafe.umontreal.ca/images/i-cont.gif" width=24 height=24 alt="">&nbsp;Id&eacute;e. Le contact prime sur elle.</a> <br><a href="http://www.cafe.umontreal.ca/cle/cases/c00g09.html"><img src="http://www.cafe.umontreal.ca/images/i-acti.gif" width=24 height=24 alt=""><img src="http://www.cafe.umontreal.ca/images/i-prep.gif" width=24 height=24 alt=""><img src="http://www.cafe.umontreal.ca/images/i-cont.gif" width=24 height=24 alt="">&nbsp;Action. Le contact prime sur elle.</a> </li> <li><a HREF="http://www.cafe.umontreal.ca/cle/aidecase.html"><img src="http://www.cafe.umontreal.ca/images/i-aide.gif" width=24 height=24 alt="">&nbsp;aide</a></li> </ul> <img src="http://www.cafe.umontreal.ca/counter.cgi?x,allcle"> <div align=right><p><small>Copyright &copy; 1998 C.A.F.&Eacute;.</small></p></div> </body> </html> 
