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align="right">                         <br>                         <FONT SIZE=6><B>Pigs par leur propre mythologie (1re partie)</B></FONT>  </div>                      <P align="right"> jeudi 21 novembre 2002, <B>par                         Acrobat</B> </FONT> <BR>                        <BR>                        <BR>                    </TD>            </TR>          </TABLE>                                              <TABLE CELLPADDING=0 CELLSPACING=0 BORDER=0 >                    <TR>                      <TD  ALIGN="left" VALIGN="top">         </TD>                          <TD WIDTH=8 ROWSPAN=2>&nbsp;</TD>    <TD WIDTH=8 ROWSPAN=2 >                      <img src="NAVPICS/rien.gif" alt="" width="8" height="100" border="0">                    </TD>    <TD WIDTH=8 ROWSPAN=2><img src="NAVPICS/rien.gif" alt="" width="8" height="8" border="0"></TD>                      <TD  ROWSPAN=2 VALIGN="top">                         <div >    	<FONT FACE="arial,helvetica,sans-serif" SIZE=2>            	            	    	<p class='spip' align='justify'>Source&nbsp;: <a href="http://www.salon.com/ent/music/review/2002/11/19/u2_best/index.html" class="spip_out">Salon.com</a> </p> <p class="spip" align='justify'>Auteur&nbsp;: <b class="spip">Annie Zaleski</b> </p> <p class="spip" align='justify'>Cela pourrait expliquer pourquoi les trois titres de <i class="spip">Pop</i> sont remixs. Avec ses cordes et ses paroles, <i class="spip">Pop</i> est peut tre bien le plus abominable des albums de <b class="spip">U2</b>. Sa surenchre d'lectronique ne parvient pas  faire oublier le supplice de <i class="spip"><a href="article.php3?id_article=5576">Wake Up Dead Man</a></i>, <i class="spip"><a href="article.php3?id_article=5525">Please</a></i> ou <i class="spip"><a href="article.php3?id_article=5513">Mofo</a></i>. Mais cela ressemble aujourd'hui  l'quivalent musical de la phase gothique de <b class="spip">U2</b>, avec un groupe qui a massivement recours  des claviers et des distorsions vocales, tel un ado exhibant filets de pche, cheveux teints en noir et le <b class="spip">Sisters of Mercy</b>. </p> <p class="spip" align='justify'><b class="spip">U2</b> n'a pas trop trembl autant que nous aurions pu le penser pendant les annes Clinton. Pour un groupe de rock, les quatre irlandais ont t tout sauf conventionnels, et mme rebelle. Alors que le grunge mergeait, Bono est all chercher au plus haut de ses qualits vocales pour <i class="spip">Ultraviolet (Light My Way)</i>. Ensuite, les mixes parus sur <i class="spip">Achtung Baby</i> et <i class="spip"><a href="article.php3?id_article=5589">Zooropa</a></i> ont vu le dbut d'un court boom lectronique aux Etats Unis, pendant prs de cinq ans. Puis, lorsque les boys band et autres <b class="spip">Britney</b> ont commenc  infester les charts avec des titres jetables, U2 est arriv avec <i class="spip">All That You Can't Leave Behind</i>, une clbration toute simple du rock, avec guitares, basse, batterie et voix. </p> <p class="spip" align='justify'>Bizarrement, il n'y a que deux morceaux, <i class="spip"><a href="article.php3?id_article=5454">Beautiful Day</a></i> et <i class="spip">Stuck in a Moment You Can't Get Out Of</i>, sur ce dernier album, interprts comme un retour aux origines du groupe, celles d'un rock fait de guitare. Il s'agit peut tre du ct rebelle de <b class="spip">U2</b> qui tend vers la passion. Cela contribuerait  expliquer l'inclusion de <i class="spip"><a href="article.php3?id_article=5511">Miss Sarajevo</a></i>, leur collaboration avec <b class="spip">Luciano Pavarotti</b>, de l'album <b class="spip">Passengers</b>&nbsp;: <i class="spip">Original Soundtracks 1</i>. </p> <p class="spip" align='justify'>Mais si l'on en juge la techno flashy qui pollue le disque bonus Face B, <b class="spip">U2</b> a prfr y mettre en avant son ct rebelle. <i class="spip">Salome (Zooromancer Remix)</i> ressemble vaguement au <i class="spip">Save a Prayer</i> de <b class="spip">Duran Duran</b>, avec une petite touche disco, tandis que <i class="spip"><a href="article.php3?id_article=5462">Dirty Day</a> (Junk Mix)</i> est un assemblage de sons avec ce bon vieux <b class="spip">Brian Eno</b> aux claviers. <i class="spip">Even Better Than the Real Thing (Perfecto Mix)</i> et <i class="spip"><a href="article.php3?id_article=5519">Numb</a> (Gimme Some More Dignity Mix)</i> sont saturs de voix gospel issues de la house music des annes 90, et <i class="spip">Discotheque (Hexidecimal Mix)</i> nous impose un horrible cho de synth du Setting Sun des <b class="spip">Chemical Brothers</b>. Seuls quelques morceaux, en particulier <i class="spip">North and South of the River</i> et <i class="spip"><a href="article.php3?id_article=5644">Your Blue Room</a></i> calment tout ce trop plein et donne lieu  davantage de rflexion. </p> <p class="spip" align='justify'>Pas vraiment renversant en terme de musique lectronique dansante, ces titres sont nanmoins une reprsentation plus honnte de la musique <b class="spip">U2</b> des annes 90. Les samples et les beats orientent le son confortable du groupe vers de nouvelles directions. Ces morceaux ne sont pas toujours russis, mais les entendre avec tous leurs dfauts est une diversion bienvenue aprs la frustrante et simplifie rutilisation, manifeste sur le premier disque. </p> <p class="spip" align='justify'><a href="article.php3?id_article=5677" class="spip_in">Pigs par leur propre mythologie (fin)</a></p>             <center>    <table cellpadding=0 cellspacing=10>    		</table>                    </center>            	    	                                                                 <table width="100%" border="0" cellspacing="3" cellpadding="0">                          <tr>                            <td>                               <P align="left">  <B>Acrobat</A></B><BR>                                </A>  </P>    	</td>                            <td><p align="right"><font size=3><B><A HREF="imprimersans.php3?id_article=5676" target="_blank">IMPRIMER</A><BR><A HREF="forum.php3?(id_article=5676&retour=article.php3%3Fid_article%3D5676)">R&eacute;pondre &agrave; cet article</A></B></font></p></td>                          </tr>                        </table>                                                 </FONT>                         <p align="center">&nbsp;                         <table width="0" border="0" cellspacing="10" cellpadding="0" align="center">                          <tr>                            <td>    						    						    						</td>                            <td>                              <p align="center"><a href="http://www.electricartists.com/u2/zooradio.html" target="_blank"><img src="http://www.electricartists.com/u2/zooradio.gif" border="0" width="100" height="74"><br>                                La U2 Radio</a> &nbsp;                            </td>                            <td>                               <p align="left"><a href="http://u2.sonnerie.net" target="_blank">http://u2.sonnerie.net</a>                                 (FR-BE-NL)<br>                                <a href="http://u2.directringtones.com" target="_blank">http://u2.directringtones.com</a>                                 (UK)<br>                                <a href="http://u2.sonnerie.net/index.php?forcelang=ES" target="_blank">http://u2.melodias.com                                 </a>(ES) &nbsp;                             </td>                          </tr>                        </table>                                                                      </TD>    </TR>        <TR>                          </TR>                </TABLE>                <B_forums_liens>    <TABLE WIDTH=100% CELLPADDING=0 CELLSPACING=0 BORDER=0>    <TR WIDTH=100%>    <TD WIDTH=100% BACKGROUND="NAVPICS/point.gif"><img src="NAVPICS/rien.gif" alt="" width="8" height="4" border="0"></TD>    </TR>    </TABLE>        <TABLE WIDTH=100% CELLPADDING=0 CELLSPACING=0 BORDER=0>    <TR WIDTH=100%>    <TD WIDTH=10% >  <img src="NAVPICS/rien.gif" alt="" width="8" height="4" border="0"></TD>    <TD WIDTH=90% >     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