<html xmlns:v="urn:schemas-microsoft-com:vml" xmlns:o="urn:schemas-microsoft-com:office:office" xmlns:w="urn:schemas-microsoft-com:office:word" xmlns="http://www.w3.org/TR/REC-html40">  <head> <meta http-equiv=Content-Type content="text/html; charset=windows-1252"> <meta name=ProgId content=Word.Document> <meta name=Generator content="Microsoft Word 9"> <meta name=Originator content="Microsoft Word 9"> <link rel=File-List href="./bibliogr2_files/filelist.xml"> <link rel=Edit-Time-Data href="./bibliogr2_files/editdata.mso"> <!--[if !mso]> <style> v\:* {behavior:url(#default#VML);} o\:* {behavior:url(#default#VML);} w\:* {behavior:url(#default#VML);} .shape {behavior:url(#default#VML);} </style> <![endif]--> <title>Bibliographie critique</title> <!--[if gte mso 9]><xml>  <o:DocumentProperties>   <o:Author>Terminator</o:Author>   <o:Template>Normal</o:Template>   <o:LastAuthor>Tristan</o:LastAuthor>   <o:Revision>2</o:Revision>   <o:TotalTime>55</o:TotalTime>   <o:Created>2002-01-17T04:15:00Z</o:Created>   <o:LastSaved>2002-01-17T04:15:00Z</o:LastSaved>   <o:Pages>12</o:Pages>   <o:Words>4431</o:Words>   <o:Characters>25258</o:Characters>   <o:Company>Skynet</o:Company>   <o:Lines>210</o:Lines>   <o:Paragraphs>50</o:Paragraphs>   <o:CharactersWithSpaces>31018</o:CharactersWithSpaces>   <o:Version>9.2720</o:Version>  </o:DocumentProperties> </xml><![endif]--><!--[if gte mso 9]><xml>  <w:WordDocument>   <w:HyphenationZone>21</w:HyphenationZone>  </w:WordDocument> </xml><![endif]--> <style> <!--  /* Font Definitions */ @font-face 	{font-family:"Arial Unicode MS"; 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la recherche d'une mythologie,</i> Montral, Hurtubise HMH, Cahiers du Qubec, coll. Littrature, n<sup>o</sup> 34, 1977.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>BROCHU, Andr, <i>Anne Hbert. Le secret de vie et de mort , </i>Ottawa, Les Presses de l'Universit d'Ottawa, Coll. Oeuvres et auteurs, 2000, 281p.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>EMOND, Maurice, <i>La Femme  la fentre</i>, Qubec, PUL, coll. Vie des Lettres qubcoises, n<sup>o</sup> 22, 1984.<o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>HARVEY, Robert</span><span lang=FR style='font-size:13.5pt;mso-bidi-font-size:8.0pt; color:black;mso-ansi-language:FR'>, <i>Potique d'Anne Hbert : jeunesse et gense, suivi de Lecture du</i> <i>Tombeau des rois</i> , Qubec, L'instant mme, 2000, 344p.</span><span lang=FR-CA style='font-size:13.5pt;mso-bidi-font-size: 12.0pt;color:black;mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR style='font-size:13.5pt;mso-bidi-font-size:8.0pt;color:black; mso-ansi-language:FR'>-----------</span><span lang=FR-CA style='font-size:13.5pt; mso-ansi-language:FR-CA'>, &quot;<i>Kamouraska</i>&quot;<i> d'Anne Hbert: Une criture de la passion, suivi de Pour un nouveau &quot;Torrent</i>&quot;, Hurtubise, HMH, Cahiers du Qubec, n<sup>o</sup> 69, 1982</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>LACOTE, Ren, <i>Anne Hbert</i>, Paris, Seghers, coll. Potes d'aujourd'hui, n<sup>o</sup> 189, 1969.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>LEMIEUX, Pierre-Herv, <i>Entre songe et parole. Structure du &quot;Tombeau des rois&quot; d'Anne Hbert</i>, Editions de l'Universit d'Ottawa, coll. Cahiers du Centre de recherches en civilisation canadienne-franaise, n<sup>o</sup> 15, 1978.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>MAJOR, Jean-Louis, <i>Anne Hbert et le Miracle de la parole</i>, Montral, PUM, coll. Lignes qubcoises, 1976.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>PAGE, Pierre, <i>Anne Hbert</i>, Montral, Fides, coll. Ecrivains canadiens d'aujourd'hui, 1965.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>PATERSON, Janet M., <i>Anne Hbert. Architexture romanesque</i>, Ottawa, PUO, 1985.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>ROBERT, Guy, <i>La potique du songe; introduction  l'oeuvre d'Anne Hbert</i><u>,</u> Montral, Association gnrale des tudiants de l'Universit de Montral, cahier n<sup>o</sup> 4, 1962.</span><span lang=FR-CA style='mso-ansi-language: FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>ROY, Lucille, <i>Entre la lumire et l'ombre; l'univers potique d'Anne Hbert</i>, Sherbrooke, Naaman, 1984.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=EN-GB style='font-size:13.5pt;mso-ansi-language:EN-GB'>RUSSEL, Delbert W., <i>Anne Hbert</i>, Boston, Twayne Publishers, Twaynes World Series, no 684, 1983.</span><span lang=EN-GB style='mso-ansi-language:EN-GB'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>THERIAULT, Serge A., <i>La Qute d'quilibre dans </i>l'oeuvre <i>romanesque d'Anne Hbert</i>, Hull, Editions Asticou, coll. Centre d'tudes universitaires dans l'ouest qubcois, 1980.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='mso-ansi-language:FR-CA'>&nbsp;<o:p></o:p></span></p>  <p><span lang=FR-CA style='mso-ansi-language:FR-CA'>&nbsp;<o:p></o:p></span></p>  <p><span lang=FR-CA style='mso-ansi-language:FR-CA'>&nbsp;<o:p></o:p></span></p>  <h1 align=center style='text-align:center'><u><span lang=FR-CA style='mso-ansi-language:FR-CA'>B) Articles ou parties de livres</span></u><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></h1>  <p><span lang=FR-CA style='mso-ansi-language:FR-CA'>&nbsp;<o:p></o:p></span></p>  <h2><a name=A><u><span lang=FR-CA style='mso-ansi-language:FR-CA'>A</span></u></a><span style='mso-bookmark:A'></span><span lang=FR-CA style='mso-ansi-language:FR-CA'> <a href="#Debut"><span style='text-decoration:none;text-underline:none'><img border=0 width=35 height=29 id="_x0000_i1025" src="http://www.mlink.net/~ahebert/images/fleche.GIF" alt="fleche.GIF (1347 bytes)"></span></a><o:p></o:p></span></h2>  <p><span lang=FR-CA style='mso-ansi-language:FR-CA'><br> </span><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>Actes du colloque de la Sorbonne, &nbsp;<i>Anne Hbert, parcours dune oeuvre</i>&nbsp;, Montral, lHexagone, 1997. </span><span lang=FR-CA style='mso-ansi-language: FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>ADAM, Jean-Michel, &quot;Sur cinq vers de <i>Mystre de la parole</i>: lire aujourd'hui &quot;Neige&quot; d'Anne Hbert&quot;, <i>Etudes littraires</i>, vol. </span><span lang=EN-GB style='font-size:13.5pt;mso-ansi-language:EN-GB'>V, n<sup>o</sup> 3, (dc. 1972), p. 463-480.<o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>AMPRIMOZ, Alexandre L., &quot;Smiotique de la segmentation d'un texte narratif: &quot;la Mort de Stella&quot; d'Anne Hbert&quot;, <i>Prsence francophone</i>, n<sup>o</sup> 19, (automne 1979), p. 97-105.</span><span lang=FR-CA style='mso-ansi-language: FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>AMYOT, Georges, &quot;Anne Hbert et la renaissance&quot;, <i>Ecrits du Canada franais</i>, vol. XX, 1965, p. 233-253.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>AYLWIN, Ulric, &quot;Au pays de la fille maigre: les Chambres de bois d'Anne Hbert&quot;, <i>les Cahiers de Sainte-Marie</i>, n<sup>o</sup> 4, (avril 1967), p. 37-50.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>--------, &quot;Vers une lecture de l'oeuvre d'Anne Hbert&quot;, <i>La Barre du jour</i>, vol. II, n<sup>o</sup> 7, (t 1966), p. 2-11.</span><b><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></b></p>  <h2><u><span lang=FR-CA style='mso-ansi-language:FR-CA'><br> <br> <a name=B>B</a></span></u><span style='mso-bookmark:B'><span lang=FR-CA style='mso-ansi-language:FR-CA'> </span></span><span lang=FR-CA style='mso-ansi-language:FR-CA'><a href="#Debut"><span style='text-decoration: none;text-underline:none'><img border=0 width=35 height=29 id="_x0000_i1026" src="http://www.mlink.net/~ahebert/images/fleche.GIF" alt="fleche.GIF (1347 bytes)"></span></a><o:p></o:p></span></h2>  <p><span lang=FR-CA style='mso-ansi-language:FR-CA'><br> </span><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>BACKES, Jean-Louis, &quot;Le systme d'identification dans l'oeuvre romanesque d'Anne Hbert&quot;, <i>Voix et Images</i>, vol. </span><span lang=EN-GB style='font-size:13.5pt;mso-ansi-language:EN-GB'>VI, n<sup>o</sup> 2, (hiver 1981), p. 269-277.</span><span lang=EN-GB style='mso-ansi-language:EN-GB'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>BAILLARGEON, Samuel, <i>Littrature canadienne-francaise</i>, Montral, Fids, 1960, p. 376-381.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>BASILE, Jean, &quot;Seraient-ce des enfants qui frquentent le sabbat?&quot;, <i>le Devoir</i>, 6 septembre 1975, p. 13.</span><span lang=FR-CA style='mso-ansi-language: FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>BIRON, Michel, &nbsp;Quatre enfants et un fantme&nbsp;, <em>Voix et images</em>, vol. 25, no. 1 (73), (1999), p. 193-199.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>BOISCLAIR, Isabelle, &nbsp;Roman national ou rcit fminin? : la littrature des femmes pendant le Rvolution tranquille&nbsp;, <em>Globe : revue internationale</em> <em>d'tudes qubcoises</em>, vol. 2, no. 1, (1999), p. 97-115.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>BOIVIN, Aurlien, &quot;<i>Les Fous de Bassan</i> ou le procs de la socit mle&quot;, dans <i>Pour une lecture du roman qubcois. De Marie-Claire Blais  Victor-Lvy Beaulieu,</i> Qubec, d. Nuit blanche, coll. Littrature, 1996, pp. 325-344.</span><u><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></u></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>BEAULIEU, Michel, &quot;Faisceaux de la posie qubcoise&quot;, Pr<i>esqu'Amrique</i>, vol. 1, n<sup>o</sup> 2, (nov.-dc. 1971), p.22-24.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>BEAUSOLEIL, Jean-Pierre, &quot;Le Torrent&quot;, <i>Lectures</i>, t. 6, n<sup>o</sup> 10, (juin 1950), p. 596-598.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>BEGUIN, Albert, &quot;Anne Hbert et la solitude&quot;, <i>le Devoir</i>, 3 octobre 1953, p. 6.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>BELLEFEUILLE, Normand de, &quot;Tel qu'en lui-mme&quot;, <i>La Barre du jour</i>, n<sup>o</sup> 39-41, (printemps-t 1973), p. 104-123.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=EN-GB style='font-size:13.5pt;mso-ansi-language:EN-GB'>BENSON, Renate, &quot;Aspects of Love in Anne Hbert's Short Stories&quot;, <i>Journal of Canadian Fiction</i>, n<sup>os</sup> 2-25-26, 1979, p. 160-174.</span><span lang=EN-GB style='mso-ansi-language:EN-GB'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>BESSETTE, Grard, &quot;La Dislocation dans la posie d'Anne Hbert&quot;, Une littrature en bullition, Montral, Editions du jour, 1968, p. 13-23.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>BESSETTE G., L. GESLIN et C. PARENT, &quot;Anne Hbert&quot;, dans Histoire de la littrature canadienne-franaise, Montral, C.E.C., 1968, p. 259-270.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>BISHOP, Neil Breton, &quot;Les enfants du sabbat et la Problmatique de la libration chez Anne Hbert&quot;, Etudes canadiennes<u>,</u> n<sup>o</sup>. 8, 1980, p. 33-46.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>--------, &quot;Distance, point de vue, voix et idologie dans les Fous de Bassan&quot;, Etudes canadiennes, vol. 9, n<sup>o</sup> 2, (hiver 1984), p. 113-129.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>--------, &quot;&nbsp;Anne Hbert entre Qubec et France&nbsp;: lexil dans <i>Le Premier Jardin</i>&nbsp;&quot;, <i>Etudes canadiennes</i>, no 28, 1990, p.37-58.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>BLAIN, Maurice, &quot;Anne Hbert ou le Risque de vivre&quot;, <i>Approximations</i>, Montral, HMH, coll. Constantes, n<sup>o</sup> 11, 1967, p. 180-190, dans Gilles Marcotte, <i>Prsence de la critique</i>, Hurtubise HMH, 1966, p. 155-163.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>BLAIS, Jacques, &quot;L'Univers magique d'Anne Hbert&quot;, <i>De<u> </u>l'ordre et de l'aventure. La posie au Qubec de 1934  1944, Qubec, PUL, coll. Vie de lettres qubcoises, n<sup>o</sup> 14, 1975, p. 253-268.</i></span><i><u><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></u></i></p>  <p><span lang=EN-GB style='font-size:13.5pt;mso-ansi-language:EN-GB'>BOAK Denis, &quot;Kamourasaka, Kamouraska!&quot;, <i>Essays in French Literature</i>, n<sup>o</sup> 14, 1977, p. 69-104.</span><span lang=EN-GB style='mso-ansi-language: EN-GB'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>BOLDUC, Yves, &quot;La Comparaison dans l'oeuvre potique d'Anne Hbert&quot;, <i>Si que</i>, n<sup>o</sup> 4, (automne 1979), p. 123-142.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>BOUCHARD, Denis, &quot;Anne Hbert et la &quot;Solitude rompue&quot;, <i>Etudes franaises</i>, (avril 1976), p. 163-179.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>--------, &quot;<i>Les Enfants du sabbat</i> d'Anne Hbert, l'enveloppe des mythes&quot;, <i>Voix et Images</i>, vol. 1, n<sup>o</sup> 3, (avril 1976), p. 374-385.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>BRAULT, Jacques, &quot;Une posie du risque&quot;, <i>Culture vivante</i>, n<sup>o</sup> 1, 1966, p. 42-45.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>BRUNET, Berthelot, <i>Histoire de la littrature canadienne- francaise</i>, Montral, Ed. De lArbre, 1946, p. 104, 1964, p. 51 et 71.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <h2><u><span lang=FR-CA style='mso-ansi-language:FR-CA'><br> <br> <a name=C>C</a></span></u><span style='mso-bookmark:C'><span lang=FR-CA style='mso-ansi-language:FR-CA'> </span></span><span lang=FR-CA style='mso-ansi-language:FR-CA'><a href="#Debut"><span style='text-decoration: none;text-underline:none'><img border=0 width=35 height=29 id="_x0000_i1027" src="http://www.mlink.net/~ahebert/images/fleche.GIF" alt="fleche.GIF (1347 bytes)"></span></a><o:p></o:p></span></h2>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'><![if !supportEmptyParas]>&nbsp;<![endif]><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-bidi-font-size:10.0pt; mso-ansi-language:FR-CA'>CAHIERS ANNE HBERT NO 3, <em>Traductions d'Anne Hbert</em>, Montral, Fides / Universit de Sherbrooke, 2001.<o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-bidi-font-size:12.0pt; mso-ansi-language:FR-CA'>CAHIERS ANNE HBERT NO 2, </span><em><span lang=FR-CA style='font-size:13.5pt;mso-bidi-font-size:10.0pt;mso-ansi-language:FR-CA'>Anne Hbert et la modernit</span></em><span lang=FR-CA style='font-size:13.5pt; mso-bidi-font-size:12.0pt;mso-ansi-language:FR-CA'>, Montral, Fides / Universit de Sherbrooke, 2000.&nbsp; <o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>CAHIERS ANNE HBERT NO 1, <i>Lectures d'Anne Hbert: alination et contestation</i>, Montral, Fides/Universit de Sherbrooke, 1999.<br> </span><span lang=FR-CA style='mso-ansi-language:FR-CA'><br> </span><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>CHAMBERLAND, Paul, &quot;Fondation du territoire&quot;, <i>Parti pris</i>, vol. IV, n<sup>os</sup> 9-12, (mai 1967), p. 11-42.</span><span lang=FR-CA style='mso-ansi-language: FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>--------, &quot;Pomes&quot;, <i>Lectures</i>, vol. 8, n<sup>o</sup> 2, (oct. 1961), p. 39-41.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>CHAMPAGNE, Martin, &quot;Le Torrent d'Anne Hbert&quot;, <i>Littrature canadienne</i>, avril 1947, p. 17-23.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>CHTILLON, Pierre, &quot;La Naissance du feu dans la jeune posie du Qubec&quot;, <i>la Posie canadienne-franaise</i>, &quot;Archives des lettres canadiennes&quot;, t. IV, Montral, Fides 1969, p. 255-284.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>CLOUTIER, C., &quot;L'influence de quelques potes franais sur quelques potes qubcois, <i>Prsence francophone</i>, n<sup>o</sup> 9, (automne 1974), p. 44-51.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>COHEN, Henri, &quot;Le Rle du mythe dans <i>Kamouraska</i> d'Anne Hbert&quot;, <i>Prsence francophone</i>, n<sup>o</sup> 12, (printemps 1976), p. 103-111.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>COUILLARD, Marie, &quot;<i>Les Enfants du sabbat</i> d'Anne Hbert: un rcit de subversion fantastique&quot;, <i>Incidences</i>, vol. 4, n<sup>os</sup> 2-3, (mai-dc. 1980), p. 77-83.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <h2><u><span lang=FR-CA style='mso-ansi-language:FR-CA'><br> <br> <a name=D>D</a></span></u><span style='mso-bookmark:D'><span lang=FR-CA style='mso-ansi-language:FR-CA'> </span></span><span lang=FR-CA style='mso-ansi-language:FR-CA'><a href="#Debut"><span style='text-decoration: none;text-underline:none'><img border=0 width=35 height=29 id="_x0000_i1028" src="http://www.mlink.net/~ahebert/images/fleche.GIF" alt="fleche.GIF (1347 bytes)"></span></a><o:p></o:p></span></h2>  <p><span lang=FR-CA style='mso-ansi-language:FR-CA'><br> </span><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>DORAIS, Fernand, &quot;Kamouraska d'Anne Hbert, essai de critique hermneutique&quot;, <i>Revue de l'Universit Laurentienne</i>, vol. IV, n<sup>o</sup> 2, (novembre 1971), p. 76-82.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>&quot;DOSSIER ANNE HBERT&quot;, <i>Qubec Francais</i>, no 32, 1978, p.33-42.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>&quot;DOSSIER ANNE HBERT&quot;, <i>Voix et Images</i>, vol. </span><span lang=EN-GB style='font-size:13.5pt;mso-ansi-language:EN-GB'>VII, no 3, (printemps 1982).</span><span lang=EN-GB style='mso-ansi-language:EN-GB'><o:p></o:p></span></p>  <p><i><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>DOSSIER DE PRESSE: ANNE HEBERT</span></i><span lang=FR-CA style='font-size:13.5pt; mso-ansi-language:FR-CA'> <i>(1942-1989)</i>, Sminaire de Sherbrooke, 1989.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>DUFRESNE, Franoise M., &quot;Le Drame de Kamouraska; la ralit et la fiction dans le roman <i>Kamouraska</i> d'Anne Hbert&quot;, <i>Qubec histoire</i>, vol. 1, n<sup>os</sup> 5-6, (mai-juin-juillet 1972), p. 72-77.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>DUHAMEL, Roger, &quot;Le Tombeau des rois&quot;, <i>L'Action universitaire</i>, 20<sup></sup> anne, n<sup>o</sup> 2, (janv. 1954), p. 88-89</span><span lang=FR-CA style='mso-ansi-language:FR-CA'>.<o:p></o:p></span></p>  <h2><u><span lang=FR-CA style='mso-ansi-language:FR-CA'><br> <br> <a name=E>E</a></span></u><span style='mso-bookmark:E'><span lang=FR-CA style='mso-ansi-language:FR-CA'> </span></span><span lang=FR-CA style='mso-ansi-language:FR-CA'><a href="#Debut"><span style='text-decoration: none;text-underline:none'><img border=0 width=35 height=29 id="_x0000_i1029" src="http://www.mlink.net/~ahebert/images/fleche.GIF" alt="fleche.GIF (1347 bytes)"></span></a><o:p></o:p></span></h2>  <p><span lang=FR-CA style='mso-ansi-language:FR-CA'><br> </span><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>EMOND, Maurice, &quot;<i>Les Chambres de bois</i>, roman d'Anne Hbert&quot;, <i>Dictionnaire des oeuvres littraires du Qubec, t. III, 1940  1959,</i> Montral, Fides, 1982, p. 172-176.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>ENGLISH, Judith et Jacqueline VISWANATHAN, &quot;Deux Dames du Prcieux-Sang&quot;:  propos des <i>Enfants du sabbat</i> d'Anne Hbert&quot;, <i>Prsence francophone</i>, n<sup>o</sup> 22, (printemps 1981), p. 111-119.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>ESCOMEL, Gloria, &quot;La Littrature fantastique au Qubec: <i>Les Enfants du sabbat</i>&quot;, <i>Requiem</i>, vol. 4, n<sup>o</sup> 2, (mars 1978), p. 30-32.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>ESPUELAS MARINO, Alicia, &quot;&nbsp;La recherche dune transgression&nbsp;: <i>Les Enfants du sabbat</i> dAnne Hbert&nbsp;&quot;, <i>Etudes canadiennes</i>, vol I, no 2, mai 1991, p. 262-276. </span><span lang=FR-CA style='mso-ansi-language: FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>ETHIER-BLAIS, Jean, &quot;Anne Hbert et Paul Toupin: fleurons glorieux&quot;, <i>Signets II</i>, Montral, Cercle du Livre de France, 1967, p. 195-202.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <h2><u><span lang=FR-CA style='mso-ansi-language:FR-CA'><br> <br> <a name=F>F</a></span></u><span style='mso-bookmark:F'><span lang=FR-CA style='mso-ansi-language:FR-CA'> </span></span><span lang=FR-CA style='mso-ansi-language:FR-CA'><a href="#Debut"><span style='text-decoration: none;text-underline:none'><img border=0 width=35 height=29 id="_x0000_i1030" src="http://www.mlink.net/~ahebert/images/fleche.GIF" alt="fleche.GIF (1347 bytes)"></span></a><o:p></o:p></span></h2>  <p><span lang=FR-CA style='mso-ansi-language:FR-CA'><br> </span><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>FABI, Thrse, &quot;Le thme de la violence dans <i>Le Torrent</i>, d'Anne Hbert&quot;, <i>L'Action nationale</i>, vol. </span><span lang=EN-GB style='font-size:13.5pt;mso-ansi-language:EN-GB'>LXV, n<sup>o</sup> 2, (octobre 1975), p. 160-168.</span><span lang=EN-GB style='mso-ansi-language:EN-GB'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>FERAL, Josette, &quot;Clture du moi, clture du texte dans l'oeuvre d'Anne Hbert&quot;, <i>Voix et Images</i>, n<sup>o</sup> 2, (dcembre 1975), p. 265-283.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>FERRON, Jacques, &quot;Anne Hbert ou la Pita&quot;, <i>Le livre d'ici</i>, 26 mars 1980.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>------, &quot;&nbsp;<i>Kamouraska&nbsp;</i>ou l'invention du pays&nbsp;&quot;, <i>le Magazine Maclean</i>, vol. 11, n<sup>o</sup> 1, (janv. 1971), p. 44, 46.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>FERRY, Josette, &quot;Hlose dans le mtro. Propos sur <i>Hlose</i> d'Anne Hbert&quot;, <i>Lettres qubcoises</i>, n<sup>o</sup> 21, (printemps 1981), p. 24-25.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>FRANCOEUR, Louis, &quot;Le Monologue intrieur narratif&quot;, <i>Etudes littraires</i>, n<sup>o</sup> 9 (1976): 341-65.</span><span lang=FR-CA style='mso-ansi-language: FR-CA'><o:p></o:p></span></p>  <h2><u><span lang=FR-CA style='mso-ansi-language:FR-CA'><br> <br> <a name=G>G</a></span></u><span style='mso-bookmark:G'><span lang=FR-CA style='mso-ansi-language:FR-CA'> </span></span><span lang=FR-CA style='mso-ansi-language:FR-CA'><a href="#Debut"><span style='text-decoration: none;text-underline:none'><img border=0 width=35 height=29 id="_x0000_i1031" src="http://www.mlink.net/~ahebert/images/fleche.GIF" alt="fleche.GIF (1347 bytes)"></span></a><o:p></o:p></span></h2>  <p><span lang=FR-CA style='mso-ansi-language:FR-CA'><br> </span><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>GARNEAU, Ren, &quot;Anne Hbert&quot;, dans Pierre De Grandpr, <i>Histoire la littrature franaise du Qubec</i>, t. III, Montral, Beauchemin, p. 47-55.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>GEROLDS, J.-F., &quot;La critique franaise et le mythe canadien: Anne Hbert&quot;, <i>Prsence francophone</i>, n<sup>o</sup> 30, 1987, p. 51-58.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>GIGUERE, Richard, &quot;D'un &quot;quilibre impondrable&quot;  une &quot;violence lmentaire&quot;, Evolution thmatique de la posie qubcoise 1935-1965: Saint-Denys-Garneau, Anne Hbert, Roland Gigure et Paul Chamberland&quot;, <i>Voix et Images du pays</i>, VII, 1973, p. 51-90.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>GIROUX Robert, &quot;Lecture de &quot;La fille maigre&quot; d'Anne Hbert&quot;, <i>Prsence francophone</i>, n<sup>o</sup> 10, (printemps 1975), p. 73-90.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>GODARD, Barbara, &nbsp;Une littrature en devenir : la rcriture textuelle et le dynamisme du champ littraire . Les crivaines qubcoises au Canada anglais&nbsp;, <em>Voix et images</em>, vol. 24, no. 3, (72), (1999), p. 495-527.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>GODIN, Grald, &quot;J'ai un signe de feu...&quot;, <i>le Magazine Maclean</i>, vol. 5, n<sup>o</sup> 2, (fvrier 1965), p. 45-46.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=EN-GB style='font-size:13.5pt;mso-ansi-language:EN-GB'>GODIN, Jean-Clo, &quot;Anne Hbert: Rebirth in the World&quot;, <i>Language in action</i>, n<sup>o</sup> 45, 1970, p. 137-153.</span><span lang=EN-GB style='mso-ansi-language: EN-GB'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>GRANDPRE, Pierre de, &quot;La Crypte du pome et ses tombeaux princiers: Anne Hbert, <i>Les Chambres de bois</i>&quot;, <i>Dix ans de vie littraire au Canada-franais</i>, Montral, Beauchemin, 1966, p. 147-151.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>GREFFORD, Madeleine, &quot;<i>Le Temps sauvage/La Mercire assassine/Les Invits au procs</i>&quot;, <i>Etudes littraires</i>, vol. 2, n<sup>o</sup> 2, (aot 1969), p. 232-233.h</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <h2><u><span lang=FR-CA style='mso-ansi-language:FR-CA'><br> <br> <a name=H>H</a></span></u><span style='mso-bookmark:H'><span lang=FR-CA style='mso-ansi-language:FR-CA'> </span></span><span lang=FR-CA style='mso-ansi-language:FR-CA'><a href="#Debut"><span style='text-decoration: none;text-underline:none'><img border=0 width=35 height=29 id="_x0000_i1032" src="http://www.mlink.net/~ahebert/images/fleche.GIF" alt="fleche.GIF (1347 bytes)"></span></a><o:p></o:p></span></h2>  <p><span lang=FR-CA style='mso-ansi-language:FR-CA'><br> </span><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>HAECK, Philippe, &quot;Naissance de la posie moderne au Qubec&quot;, <i>tudes franaises</i>, vol. </span><span lang=EN-GB style='font-size:13.5pt; mso-ansi-language:EN-GB'>IX, n<sup>o</sup> 2, (mai 1973), p. 95-113.<o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>HARVEY, </span><span lang=FR-CA style='font-size:14.0pt;mso-bidi-font-size:13.5pt;mso-ansi-language: FR-CA'>Robert, </span><b><span lang=FR-CA style='font-size:13.0pt;mso-bidi-font-size: 10.0pt;mso-ansi-language:FR-CA'>&quot;La traduction  sa juste mesure&quot;,&nbsp;<em>Cahiers Anne&nbsp;Hbert no 3</em>, Montral, Fides / Universit de Sherbrooke, 2001, p.45-61<o:p></o:p></span></b></p>  <p><span lang=FR-CA style='font-size:14.0pt;mso-bidi-font-size:13.5pt; mso-ansi-language:FR-CA'>________</span><span lang=FR-CA style='font-size:14.0pt; mso-bidi-font-size:12.0pt;mso-ansi-language:FR-CA'> </span><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>&quot;</span><span lang=FR-CA style='font-size:14.0pt;mso-bidi-font-size:12.0pt;mso-ansi-language:FR-CA'>La modernit comme travail du sujet dans l'oeuvre d'Anne Hbert &quot;, <i>Cahiers Anne Hbert no 2,</i> Montral, Fides/Universit de Sherbrooke, 2000, </span><b><span lang=FR-CA style='font-size:13.0pt;mso-bidi-font-size:10.0pt;mso-ansi-language: FR-CA'><span style="mso-spacerun: yes"></span>p.27-42.</span></b><span lang=FR-CA style='font-size:14.0pt;mso-bidi-font-size:12.0pt;mso-ansi-language: FR-CA'>,<span style="mso-spacerun: yes"> </span></span><span lang=FR-CA style='font-size:14.0pt;mso-bidi-font-size:13.5pt;mso-ansi-language: FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>_________, &quot;&nbsp;<i>Une lecture dAnne Hbert. La recherche dune mythologie</i>, essai de Denis Bouchard&nbsp;&quot;, Dictionnaire des oeuvres littraires du Qubec, t. VI&nbsp;: 1975- 1980, Fids, 1994, p.848-849. <o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>_________, &quot;&nbsp;<i>Entre songe et parole. Structure du Tombeau des rois dAnne Hbert</i>, essai de Pierre-Herv Lemieux&nbsp;&quot;, Dictionnaire des oeuvres littraires du Qubec, t. VI&nbsp;: 1975-1980, Fids, 1994 <o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>_________, &quot;Introduction au <i>Temps sauvage</i> d'Anne Hbert&quot;, Hurtubise HMH, Bibliothque Qubcoise,1992, p. 7-29.</span><span lang=FR-CA style='mso-ansi-language: FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>_________, &quot;Introduction au <i>Torrent</i> d'Anne Hbert&quot;, Hurtubise, HMM, Bibliothque Qubcoise, 1989, p.7-18.</span><span lang=FR-CA style='mso-ansi-language: FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>HILAIRE Pre, &quot;De Franois d'Assise  Anne Hbert&quot;, <i>Gants du ciel</i>, n<sup>o</sup> 4, (juin 1944), p. 21-34.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>HOUDE, Gilles, &quot;Les symboles et la structure mythique du <i>Torrent</i>, <i>La Barre du jour</i>&quot;, n<sup>o</sup> 16, (octobre-dcembre 1968), p. 22-46; n<sup>o</sup> 21, (septembre-octobre 1969), p. 26-68.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <h2><u><span lang=FR-CA style='mso-ansi-language:FR-CA'><br> <br> <a name=J>J</a></span></u><span style='mso-bookmark:J'><span lang=FR-CA style='mso-ansi-language:FR-CA'> </span></span><span lang=FR-CA style='mso-ansi-language:FR-CA'><a href="#Debut"><span style='text-decoration: none;text-underline:none'><img border=0 width=35 height=29 id="_x0000_i1033" src="http://www.mlink.net/~ahebert/images/fleche.GIF" alt="fleche.GIF (1347 bytes)"></span></a><o:p></o:p></span></h2>  <p><span lang=FR-CA style='mso-ansi-language:FR-CA'><br> </span><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>JACQUES, Henri-Paul, &quot;A propos d'<i>Une lecture d'Anne Hbert&quot;, Voix et images</i>, vol. III, n<sup>o</sup> 3, (avril 1978).</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>--------, &quot;Un probable souvenir-cran chez Anne Hbert&quot;,<i>Voix et Images</i>, vol. </span><span lang=EN-GB style='font-size:13.5pt;mso-ansi-language:EN-GB'>VII, n<sup>o</sup> 3, (printemps 1982), p.449-458.</span><span lang=EN-GB style='mso-ansi-language:EN-GB'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>JUERY, Ren, &quot;L'expression et le contenu dans un pome d'Anne Hbert&quot;; &quot;Articulations rcit-discours: tude de <i>Kamouraska</i>&quot;; &quot;Intertextualit chez Anne Hbert&quot;, Initiation  l'analyse textuelle, Hull, Editions Asticou, coll. Centre d'tudes universitaires dans l'ouest qubcois, 1981, p. 18-33, 74-146, 168-183.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <h2><u><span lang=FR-CA style='mso-ansi-language:FR-CA'><br> <br> <a name=K>K</a></span></u><span style='mso-bookmark:K'><span lang=FR-CA style='mso-ansi-language:FR-CA'> </span></span><span lang=FR-CA style='mso-ansi-language:FR-CA'><a href="#Debut"><span style='text-decoration: none;text-underline:none'><img border=0 width=35 height=29 id="_x0000_i1034" src="http://www.mlink.net/~ahebert/images/fleche.GIF" alt="fleche.GIF (1347 bytes)"></span></a><o:p></o:p></span></h2>  <p><span lang=FR-CA style='mso-ansi-language:FR-CA'><br> </span><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>KUNTSMAN, Pierre, &quot;<i>Le Tombeau des rois</i> ou la Progression rgressive&quot;, <i>Voix et Images</i>, vol. II, n<sup>o</sup> 2, (dcembre 1976), p. 255-264.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <h2><u><span lang=FR-CA style='mso-ansi-language:FR-CA'><br> <br> <a name=L>L</a></span></u><span style='mso-bookmark:L'><span lang=FR-CA style='mso-ansi-language:FR-CA'> </span></span><span lang=FR-CA style='mso-ansi-language:FR-CA'><a href="#Debut"><span style='text-decoration: none;text-underline:none'><img border=0 width=35 height=29 id="_x0000_i1035" src="http://www.mlink.net/~ahebert/images/fleche.GIF" alt="fleche.GIF (1347 bytes)"></span></a><o:p></o:p></span></h2>  <p><span lang=FR-CA style='mso-ansi-language:FR-CA'><br> </span><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>LAPOINTE, Jeanne, &quot;Quelques apports positifs de notre littrature d'imagination&quot;, <i>Cit libre</i>, (octobre 1954), p. 17-36.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>--------, &quot;<i>Mystre de la parole</i> par Anne Hbert&quot;, <i>Cit libre, XII<sup></sup> anne, n<sup>o</sup> 36, (avril 1961), p. 21- 22.</i></span><i><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></i></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>LEBLOND, Sylvio, &quot;Le Drame de Kamouraska d'aprs les documents de l'poque&quot;, <i>Cahiers des dix</i>, 37 (1972): 239-73.</span><span lang=FR-CA style='mso-ansi-language: FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>LEBRUN, Paule, &quot;Les sorcires&quot;, <i>Chtelaine</i>, vol. 17, n<sup>o</sup> 11, (nov. 1976), p. 39-43, 88-89 (Anne Hbert et <i>Les Enfants du sabbat)</i>, p. 42, 43, 88, 89.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>LE GRAND, Albert, &quot;Anne Hbert: de l'exil au royaume&quot;, <i>Littrature canadienne-franaise</i>, Confrences J.A. de Sve, Montral, PUM, 1969, p. 181-213.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>--------, &quot;<i>Kamouraska</i> ou l'Ange et la Bte&quot;, <i>Etudes franaises</i>, vol. </span><span lang=EN-GB style='font-size:13.5pt;mso-ansi-language:EN-GB'>VII, n<sup>o</sup> 2, (mai 1971), p.119- 143.</span><span lang=EN-GB style='mso-ansi-language:EN-GB'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>--------, &quot;Une parole enfin libre&quot;, <i>Maintenant</i>, n<sup>os</sup> 68-69, (septembre 1967), p. 267-272.</span><span lang=FR-CA style='mso-ansi-language: FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>LEMIEUX, Pierre-Herv , &quot;&nbsp;<i>Les Songes en quilibre</i>, recueil de pomes dAnne Hbert&nbsp;&quot;, Dictionnaire des oeuvres littraires du Qubec, t. III&nbsp;: 1940-1959, Fids, 1982, p. 930-933.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>---------,&nbsp;&quot;&nbsp;<i>Le Tombeau des rois</i>, recueil de pomes d'Anne Hbert&quot;, D<i>ictionnaire des oeuvres littraires du Qubec</i>, t. III: 1940  1959, Montral, Fides, 1982, p. 1001-1006.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>--------, &quot;La symbolique du <i>Torrent</i> d'Anne Hbert&quot;, <i>Revue de l'Universit d'Ottawa</i>, vol. XLIII, n<sup>o</sup> 1, (janv. - mars 1973), p. 114-127.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>-------- ,&quot;La mort des rois, Commentaire du pome-titre &quot;Le tombeau des rois&quot; d'Anne Hbert&quot;, R<i>evue de l'Universit d'Ottawa</i>, vol. 45, n<sup>o</sup> 2, (avril- juin 1975), p. 133-161.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>--------, &quot;Un thtre de la parole: Anne Hbert&quot;, dans <i>le Thtre canadien-franais, Archives des lettres canadiennes</i>, tome V, Montral, Fides, 1976, p. 551-579.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>LE MOYNE, Jean, &quot;Hors les chambres d'enfance<i>. Les Chambres de bois</i>, oeuvre d'Anne Hbert,&quot;. <i>Le Journal musical canadien</i>, 1958; repris dans G. Marcotte, <i>Prsence de la critique,</i> Montral, Hurtubise HMH, 1966, p. 35-42.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>LEROUX, Normand, &quot;<i>Le Temps sauvage/La Mercire assassine/Les Invits au procs</i>&quot;, <i>Livres et auteurs canadiens</i>, 1967, p. 74-75.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>LINTVELT, </span><span lang=FR-CA style='font-size:14.0pt;mso-bidi-font-size:13.5pt;mso-ansi-language: FR-CA'>Jaap,</span><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language: FR-CA'> </span><i><span lang=FR-CA style='font-size:14.0pt;mso-bidi-font-size: 12.0pt;mso-ansi-language:FR-CA'>Aspects de la narration. Thmatique, idologie et identit, </span></i><span lang=FR-CA style='font-size:14.0pt;mso-bidi-font-size: 12.0pt;mso-ansi-language:FR-CA'>Qubec, ditions Nota bene/L'Harmattan, 2000, p. 143-213 <o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:14.0pt;mso-bidi-font-size:13.5pt; mso-ansi-language:FR-CA'>LOMBARD, Bertrand, &quot;<i>Le Torrent</i>&quot; <i>Revue de l'Universit Laval</i>, vol. 5 n<sup>o</sup> 5, (janv. 1951), p. 465-467.</span><span lang=FR-CA style='font-size:14.0pt;mso-bidi-font-size:12.0pt;mso-ansi-language: FR-CA'><o:p></o:p></span></p>  <h2><u><span lang=FR-CA style='mso-ansi-language:FR-CA'><br> <br> <a name=M>M</a></span></u><span style='mso-bookmark:M'><span lang=FR-CA style='mso-ansi-language:FR-CA'> </span></span><span lang=FR-CA style='mso-ansi-language:FR-CA'><a href="#Debut"><span style='text-decoration: none;text-underline:none'><img border=0 width=35 height=29 id="_x0000_i1036" src="http://www.mlink.net/~ahebert/images/fleche.GIF" alt="fleche.GIF (1347 bytes)"></span></a><o:p></o:p></span></h2>  <p><span lang=FR-CA style='mso-ansi-language:FR-CA'><br> </span><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>MACCABEE-IQBAL, Franoise, &quot;<i>Kamouraska</i>, la fausse reprsentation dmasque&quot;, <i>Voix et Images</i>, vol. IV, n<sup>o</sup> 3, (avril 1979), p. 460-478.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>MACRI, Francis M., &quot;Anne Hbert, Story and Poem&quot;, ( sur <i>Le Torrent</i>), <i>Canadian literature</i>, n<sup>o</sup> 58, (automne 1973), p. 9-18.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>MAILHOT, Laurent, &quot;Anne Hbert ou le temps dpays&quot;, dans Jean-Clo Godin et Laurent Mailhot, <i>Le Thtre qubcois I</i>, Montral, BQ, 1988, p. 175-213</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>MAJOR, Ruth, &quot;Kamouraska et les Enfants du sabbat: faire jouer la transparence&quot;, <i>Voix et Images</i>, vol. 7, n<sup>o</sup> 3, (printemps 1982), p. 459-470.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>MARCHEIX, Daniel,  &quot;L'preuve du feu&quot; dans <i>Le premier jardin</i> d'Anne Hbert : de la confiscation des origines  la &quot;vivifiante hystrie&quot; , <i>Anne Hbert, parcours d'une oeuvre</i>, Montral, L'Hexagone, 1997, p. 355-367.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'><br> ----------------,  Potique de l'Histoire dans <i>Le premier jardin</i> d'Anne Hbert , <i>Le Franais dans tous ses tats</i>, n34, Montpellier, mars1997, p. 29-36.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>_________ ,  Colre et style de vie dans l'oeuvre romanesque d'Anne Hbert : colre entropique ou colre inchoative ? , <i>Lectures dAnne Hbert : alination et contestation</i>, <i>Cahiers Anne Hbert </i>n1, Montral, Fides, 1999, p. 91-110.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>MARCOTTE, Gilles, &quot;&nbsp;<i>Le Torrent</i> dAnne Hbert&nbsp;&quot;, <i>Le Devoir</i>, samedi 25 mars, 1950.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>--------, &quot;&nbsp;<i>Le Tombeau des rois</i> d'Anne Hbert&nbsp;&quot;, dans <i>Une littrature qui se fait</i>, Hurtubise HMH, 1962, p. 272-283.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>--------, &quot;&nbsp;Rdition dun grand livre&nbsp;<i>Le Torrent</i>&nbsp;dAnne Hbert&nbsp;&quot;, <i>La Presse</i>, samedi 18 janvier 1964.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>--------, <i>Prsence de la critique</i>, Montral, Hurtubise HMH, 1966, p. 120-123.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>--------, &quot;&nbsp;Solitude la posie&nbsp;&quot;, dans <i>Le Temps des potes</i>, HMH, 1970, p. 35-63.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>--------,&nbsp; &quot;&nbsp;Anne Hbert : un bruit de soie&nbsp;&quot;, <em>Voix et images</em>, vol. 24, no. 2 (71), (1999), p. 301-309.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>MARIE-ELEUTHRE, Soeur, <i>La Mre dans le roman canadien-franais</i>, Qubec, PUL, coll. Vie des lettres qubcoises, n<sup>o</sup> 1, 1964 (<i>Le Torrent</i>, p. 64-72<i>; Les Chambres de bois</i>, p. 121-126).</span><span lang=FR-CA style='mso-ansi-language: FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>MARMIER, Jean, &quot;Du <i>Tombeau des rois</i>  <i>Kamouraska</i>: vouloir vivre et instinct de mort chez Anne Hbert.&quot; Dans <i>Missions et dmarches de la critique. Mlanges Jacques Vier</i>. </span><span style='font-size:13.5pt'>Paris, Klincksieck, 1973, p. 807-14.</span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>MARTA, Janet, &quot;Dchiffrage du code biblique dans les pomes d'Anne Hbert&quot;, <i>Prsence francophone</i>, n<sup>o</sup> 16, (printemps 1978), p. 123-130.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>MELANCON, Robert, &quot;Ce qui est sans nom ni date.&quot;, <i>Libert</i>, n<sup>o</sup> 145, (fvrier 1983), p. 89-93.</span><span lang=FR-CA style='mso-ansi-language: FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>MERLER, Grazia,</span><span lang=FR-CA style='mso-ansi-language:FR-CA'> </span><span lang=FR-CA style='font-size:14.0pt;mso-bidi-font-size:12.0pt;mso-ansi-language: FR-CA'>-&quot;Le bref, le retentissement et le sacre chez Anne Hebert&quot;, dans Le Bref et l'instantane, Eds. G. Poirier &amp; P-L Vaillancourt, David, Ottawa, 2000, p. 47-74.<o:p></o:p></span></p>  <p><span style='font-size:14.0pt;mso-bidi-font-size:12.0pt'>--------&quot;Vita Nova&quot; dans Canadian Literature, no. 140, Spring 1994<o:p></o:p></span></p>  <p><span style='font-size:14.0pt;mso-bidi-font-size:12.0pt'>--------&quot;La Cage de fer&quot;, Canadian Literature, no.133, Summer 1992, p. 187-189<o:p></o:p></span></p>  <p><span style='font-size:14.0pt;mso-bidi-font-size:12.0pt'>--------&quot;Hebert Sonore&quot;, Canadian Literature, no. 120, Spring 1989, p. 230-233<o:p></o:p></span></p>  <p><span style='font-size:14.0pt;mso-bidi-font-size:12.0pt'>--------&quot;Antithetical creativity&quot;, Canadian Literature, Fall 1986, p. 120-122<o:p></o:p></span></p>  <p><span style='font-size:14.0pt;mso-bidi-font-size:12.0pt'>--------&quot;On Hebert&quot;, Canadian Literature, 1984, p. 132-135<o:p></o:p></span></p>  <p><span style='font-size:14.0pt;mso-bidi-font-size:12.0pt'>--------&quot;Heloise&quot;, West Coast Review, June 1983, p. 60-64<o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:14.0pt;mso-bidi-font-size:12.0pt; mso-ansi-language:FR-CA'>--------&quot;Rapports associatifs dans le discours litteraire: A. Hebert &amp; g.Testori, dans Francia, no. 24, 1978, p. 111-127<o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>------- &quot;La ralit dans la prose d'Anne Hbert; essai&quot;, <i>Ecrits du Canada-franais</i>, Montral, Fides, tome 33, 1971, p. 45-83.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>MSAVAGE, Ruth M., &quot;&nbsp;Larchologie dun mythe&nbsp;: <i>Le Premier Jardin</i> dAnne Hbert&nbsp;&quot;, <i>Qubec Studies</i>, no 10, 1990, p. 69-78.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>MOURA, Jean-Marc, &nbsp;Pour une thorie postcoloniale francophone&nbsp;, <em>Littratures francophones et thorie postcoloniale</em>, Paris, Presses universitaires de France, 1999, p. 139-160.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <h2><span lang=FR-CA style='mso-ansi-language:FR-CA'>&nbsp;<o:p></o:p></span></h2>  <h2><a name=O><u><span lang=FR-CA style='mso-ansi-language:FR-CA'>O </span></u></a><span style='mso-bookmark:O'></span><span lang=FR-CA style='mso-ansi-language:FR-CA'><a href="#Debut"><span style='text-decoration:none;text-underline:none'><img border=0 width=35 height=29 id="_x0000_i1037" src="http://www.mlink.net/~ahebert/images/fleche.GIF" alt="fleche.GIF (1347 bytes)"></span></a><o:p></o:p></span></h2>  <p><span lang=FR-CA style='mso-ansi-language:FR-CA'><br> </span><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>OUELLETTE, Gabriel-Pierre, &quot;Espaces et Dlire dans <i>Kamouraska</i> d'Anne Hbert&quot;, <i>Voix et Images</i>, vol. 1, n<sup>o</sup> 2, (dcembre 1975), p. 241-264.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <h2><u><span lang=FR-CA style='mso-ansi-language:FR-CA'><br> <br> <a name=P>P</a></span></u><span style='mso-bookmark:P'><span lang=FR-CA style='mso-ansi-language:FR-CA'> </span></span><span lang=FR-CA style='mso-ansi-language:FR-CA'><a href="#Debut"><span style='text-decoration: none;text-underline:none'><img border=0 width=35 height=29 id="_x0000_i1038" src="http://www.mlink.net/~ahebert/images/fleche.GIF" alt="fleche.GIF (1347 bytes)"></span></a><o:p></o:p></span></h2>  <p><span lang=FR-CA style='mso-ansi-language:FR-CA'><br> </span><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>PAGE, Pierre, &quot;La Posie d'Anne Hbert&quot;, dans <i>Archives des Lettres canadiennes</i>, vol. IV, 1969, p. 357-378.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>PALLISTER, Janis L (dir).</span><span lang=FR-CA style='font-size:10.0pt;font-family:Arial; mso-ansi-language:FR-CA'> </span><em><b><span style='font-size:13.0pt; mso-bidi-font-size:10.0pt'>The Art and Genius of Anne Hebert: Essays on Her Works [Night and the Day are One]</span></b></em><b><span style='font-size: 13.0pt;mso-bidi-font-size:10.0pt'>, New Jersey, Fairleigh Dickinson Univ. Press (Associated University Presses), 2001</span></b><span lang=EN-GB style='font-size:13.5pt;mso-ansi-language:EN-GB'>.<o:p></o:p></span></p>  <p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span lang=EN-GB style='font-size:13.5pt;mso-ansi-language:EN-GB'><span style="mso-spacerun: yes"></span>_____________.<span style="mso-spacerun: yes"> </span>&quot;On Mothers, Daughters and Gardens in the Writings of Anne</span><span lang=EN-GB style='mso-ansi-language:EN-GB'> </span><span lang=EN-GB style='font-size:13.5pt;mso-ansi-language:EN-GB'>Hbert.&quot;<span style="mso-spacerun: yes"> </span>in Encounters with Quebec:<span style="mso-spacerun: yes"> </span>Emerging Perspectives on Qubcois<u1:p/></span><span lang=EN-GB style='mso-ansi-language:EN-GB'> </span><span lang=EN-GB style='font-size:13.5pt;mso-ansi-language:EN-GB'>Narrative Fiction. Ed., Susan L. Rosenstreich.<span style="mso-spacerun: yes"> </span>Binghamton, N.Y.:<span style="mso-spacerun: yes"> </span>Global Publications, IGCS [Institute of Global Cultural Studies], Binghamton University, State University of New York. 1998 <o:p></o:p></span></p>  <p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span lang=EN-GB style='font-size:13.5pt;mso-ansi-language:EN-GB'><![if !supportEmptyParas]>&nbsp;<![endif]><o:p></o:p></span></p>  <p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span lang=EN-GB style='font-size:13.5pt;mso-ansi-language:EN-GB'>______________. Studies film versions of Kamouraska and Les Fous de Bassan.<u1:p/> Cranbury, N.J. Associated University Presses, 1995.<span style="mso-spacerun: yes"> </span><o:p></o:p></span></p>  <p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span lang=EN-GB style='font-size:13.5pt;mso-ansi-language:EN-GB'><![if !supportEmptyParas]>&nbsp;<![endif]><o:p></o:p></span></p>  <p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span lang=EN-GB style='font-size:13.5pt;mso-ansi-language:EN-GB'>.<u1:p/>_____________. &quot;Satanism, Jansenism and Greek Myth in Anne Hbert's<u1:p/></span><span lang=EN-GB style='mso-ansi-language:EN-GB'> </span><span lang=EN-GB style='font-size:13.5pt;mso-ansi-language:EN-GB'>Fous de Bassan.&quot; in-Carrefour de Cultures, ed. </span><span lang=FR-CA style='font-size:13.5pt; mso-ansi-language:FR-CA'>Rgis Antoine, pub. </span><span lang=DE style='font-size:13.5pt;mso-ansi-language:DE'>Gunter Narr Verlag (1993).<u1:p/><o:p></o:p></span></p>  <p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span lang=DE style='font-size:13.5pt;mso-ansi-language:DE'><![if !supportEmptyParas]>&nbsp;<![endif]><o:p></o:p></span></p>  <p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span lang=DE style='font-size:13.5pt;mso-ansi-language:EN-GB'><span style="mso-spacerun: yes"></span></span><span lang=FR-CA style='font-size: 13.5pt;mso-ansi-language:FR-CA'>____________. &quot;The 'Esguillette noue':<span style="mso-spacerun: yes"> </span>Renaissance forebears of Anne Hbert's Enfants du Sabbat.&quot; In- Il tema della Fortuna.<span style="mso-spacerun: yes"> </span></span><span lang=EN-GB style='font-size: 13.5pt;mso-ansi-language:EN-GB'>Giudici Festschrift. Milano; Firenze:<span style="mso-spacerun: yes"> </span>Leo S. Olschki Editore, (1990):<span style="mso-spacerun: yes"> </span>519-527.<u1:p/></span><span lang=EN-GB style='mso-ansi-language:EN-GB'> <o:p></o:p></span></p>  <p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><![if !supportEmptyParas]>&nbsp;<![endif]><o:p></o:p></p>  <p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'>_____________. <b><span style='font-size:13.0pt;mso-bidi-font-size:12.0pt'>&quot;Orphic Elements in Anne Hbert's Hlose.&quot;<span style="mso-spacerun: yes"> </span>Qubec Studies 5 (1987): 125-134</span></b>.</p>  <p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span lang=EN-GB style='mso-ansi-language:EN-GB'><![if !supportEmptyParas]>&nbsp;<![endif]><o:p></o:p></span></p>  <p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span lang=EN-GB style='font-size:13.5pt;mso-ansi-language:EN-GB'>_____________. &quot;Eros and Thanatos in Anne Hbert and Marguerite</span><span lang=EN-GB style='mso-ansi-language:EN-GB'> </span><span lang=EN-GB style='font-size:13.5pt; mso-ansi-language:EN-GB'>Duras: Kamouraska and Hiroshima mon amour. &quot;<span style="mso-spacerun: yes"> </span>Dalhousie French Studies 10(Spring, Summer 1986):<span style="mso-spacerun: yes"> </span>56-71.<u1:p/></span><span lang=EN-GB style='mso-ansi-language:EN-GB'><o:p></o:p></span></p>  <p><span lang=EN-GB style='font-size:13.5pt;mso-ansi-language:EN-GB'><![if !supportEmptyParas]>&nbsp;<![endif]><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>PARADIS, Suzanne, &quot;Catherine&quot;, &quot;Lia&quot;, dans <i>Femme fictive, femme relle</i>, Ottawa, Garneau, 1966, p. 137-143.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>PATERSON, Janet M., &quot;Bibliographie critique des tudes consacres aux romans d'Anne Hbert&quot;, <i>Voix et Images</i>, vol. </span><span lang=EN-GB style='font-size:13.5pt;mso-ansi-language:EN-GB'>V, n<sup>o</sup> 1, (automne 1979), p. 187-192.</span><span lang=EN-GB style='mso-ansi-language:EN-GB'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>--------, &quot;L'Ecriture de la jouissance dans l'oeuvre romanesque d'Anne Hbert&quot;, <i>Revue de l'Universit d'Ottawa</i>, vol. 50, n<sup>o</sup> 1, 1980, p. 69-73.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=EN-GB style='font-size:13.5pt;mso-ansi-language:EN-GB'>--------, &quot;Anne Hbert&quot; <i>Canadian Modern Language Review</i>, n<sup>o</sup> 37, 1981, p. 207-211.</span><span lang=EN-GB style='mso-ansi-language:EN-GB'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>--------, &quot;Bibliographie d'Anne Hbert&quot;, <i>Voix et images</i>, vol. 7, n<sup>o</sup> 3, (printemps 1982), p. 505-510.</span><span lang=FR-CA style='mso-ansi-language: FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>-------- , &quot;Anne Hbert&nbsp;: une potique de lanaphore&quot;, dans Francois Gallays, Sylvain Simard, Robert Vigneault, <i>Le Roman contemporain au Qubec</i>(1960- 1985), Montral, Fids, 1992, p. 287-302. </span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>-------- , &quot; la source de lnigme&nbsp;: &quot;Le Torrent&quot; dAnne Hbert&quot;, <i>Tangence</i>, no 50, mars 1996, p. 7-19.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>PELLETIER, Mario, &quot;Anne Hbert et l've profonde&quot;, <i>crits du Canada franais</i>, no 63, mai 1988.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>--------, &quot;La posie d'Anne Hbert, incidence littraire et concidence historique&quot;, <i>crits du Canada franais</i>, no 65, fvrier 1989.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>PESTRE DE ALMEIDA, Lilian, &quot;Hlose: la mort dans cette chambre&quot;, <i>Voix et Images</i>, vol. </span><span lang=EN-GB style='font-size:13.5pt;mso-ansi-language: EN-GB'>VII, n<sup>o</sup> 3, (printemps 1982), p. 471-481.</span><span lang=EN-GB style='mso-ansi-language:EN-GB'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>PICARD, Anne-Marie, &nbsp;L'enfant du Torrent ou le sujet de l'oeuvre en puissance&nbsp;, <em>Voix et images</em>, vol. 25, no.1 (73), (1999), p. 102-125.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>POPOVIC, Pierre, &quot;&nbsp;Anne Hbert, Le Tombeau des rois&nbsp;: loblation&nbsp;&quot;, dans <i>La Contradiction du pome.Posie et discours social au Qubec de 1948  1953, </i>Candiac, ditions Balzac, 1992, p. 371-418.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>POULIN, Gabrielle, &quot;Analyse du roman <i>Les Enfants du sabbat</i> d'Anne Hbert&quot;, <i>Relations</i>, vol. </span><span lang=EN-GB style='font-size: 13.5pt;mso-ansi-language:EN-GB'>XXXVI, n<sup>o</sup> 413, (mai 1976), p. 92-94.</span><span lang=EN-GB style='mso-ansi-language:EN-GB'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>--------, &quot;Qui sont les Enfants du sabbat?&quot;, <i>Lettres qubcoises</i>, vol.I, n<sup>o</sup> 1, (mars 1976), p. 4-6.</span><span lang=FR-CA style='mso-ansi-language: FR-CA'><o:p></o:p></span></p>  <p><span lang=EN-GB style='font-size:13.5pt;mso-ansi-language:EN-GB'>PURCELL, Patricia, &quot;The Agonizing Solitude: The Poetry of Anne Hbert&quot;, <i>Canadian Literature</i>, n<sup>o</sup> 10, (automne 1961), p. 51-61.</span><span lang=EN-GB style='mso-ansi-language:EN-GB'><o:p></o:p></span></p>  <h2><u><span lang=EN-GB style='mso-ansi-language:EN-GB'><br> <br> </span></u><a name=R><u><span lang=FR-CA style='mso-ansi-language:FR-CA'>R</span></u></a><span style='mso-bookmark:R'><span lang=FR-CA style='mso-ansi-language:FR-CA'> </span></span><span lang=FR-CA style='mso-ansi-language:FR-CA'><a href="#Debut"><span style='text-decoration:none;text-underline:none'><img border=0 width=35 height=29 id="_x0000_i1039" src="http://www.mlink.net/~ahebert/images/fleche.GIF" alt="fleche.GIF (1347 bytes)"></span></a><o:p></o:p></span></h2>  <p><span lang=FR-CA style='mso-ansi-language:FR-CA'><br> </span><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>RACETTE, Jacques Thomas, &quot;Anne Hbert publie&quot;, <i>La Revue</i> <i>dominicaine</i>, vol. 59, t. 2 juil.-aot 1953, p. 25-30; sept. 1953, p. 79-86.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>--------, &quot;<i>Le Torrent</i> d'Anne Hbert&quot;, <i>Revue dominicaine</i>, vol. LVI, (mai 1950), p. 24-26</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span lang=FR-CA style='font-size:14.0pt;mso-bidi-font-size:13.5pt;mso-ansi-language: FR-CA'>REA, Annabelle M</span><span lang=FR-CA style='font-size:14.0pt; mso-bidi-font-size:12.0pt;mso-ansi-language:FR-CA'>, &quot;La Danse chez Anne Hbert: un demi-sicle de corps fminins&quot;. Europe<br> Plurilingue, numro spcial, mars 1997: 191-205. </span><span lang=EN-GB style='font-size:14.0pt;mso-bidi-font-size:12.0pt;mso-ansi-language:EN-GB'>dition remanie in The Art and Genius of Anne Hbert: Essays on Her Works. </span><span lang=FR-CA style='font-size:14.0pt;mso-bidi-font-size:12.0pt;mso-ansi-language: FR-CA'>Ed. Janis Pallister.<br> </span><span style='font-size:14.0pt;mso-bidi-font-size:12.0pt'>Fairleigh Dickinson UP, 2001: 251-63.<br> </span><span lang=EN-GB style='font-size:14.0pt;mso-bidi-font-size:12.0pt; mso-ansi-language:EN-GB'><br> --------, </span><span style='font-size:14.0pt;mso-bidi-font-size:12.0pt'>&quot;Marie-Josephte Becomes Ludivine: The Family Reformed in Anne Hbert's La Cage. Doing Gender: Franco-Canadian Women Writers of the<br> 1990s.&nbsp; Eds. Roseanna Dufault and Paula Gilbert.&nbsp; Madison: Fairleigh Dickinson UP, 2001: 23-35.<o:p></o:p></span></p>  <p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span lang=EN-GB style='font-size:14.0pt;mso-bidi-font-size:12.0pt;mso-ansi-language: EN-GB'><![if !supportEmptyParas]>&nbsp;<![endif]><o:p></o:p></span></p>  <p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span lang=FR-CA style='font-size:14.0pt;mso-bidi-font-size:12.0pt;mso-ansi-language: FR-CA'>_________________, &quot;La Femme dionysiaque chez Anne Hbert&quot;. Cahiers Anne Hbert 2, Montral, Fides, 2000: 95-110.<o:p></o:p></span></p>  <p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span lang=FR-CA style='font-size:14.0pt;mso-bidi-font-size:13.5pt;mso-ansi-language: FR-CA'><![if !supportEmptyParas]>&nbsp;<![endif]><o:p></o:p></span></p>  <p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span lang=FR style='font-size:14.0pt;mso-bidi-font-size:13.5pt;mso-ansi-language: FR'>_______________,<span style="mso-spacerun: yes"> </span>&quot;Les Jardins d'Anne Hbert,&quot; Anne Hbert: Parcours d'une</span><span lang=FR style='font-size:14.0pt;mso-bidi-font-size:12.0pt;mso-ansi-language:FR'> </span><span lang=FR style='font-size:14.0pt;mso-bidi-font-size:13.5pt;mso-ansi-language: FR'>oeuvre:<span style="mso-spacerun: yes"> </span>Actes du colloque de la Sorbonne. </span><span lang=EN-GB style='font-size:14.0pt;mso-bidi-font-size: 13.5pt;mso-ansi-language:EN-GB'>Montral: L'Hexagone, 1997:</span><span lang=EN-GB style='font-size:14.0pt;mso-bidi-font-size:12.0pt;mso-ansi-language: EN-GB'> </span><span lang=EN-GB style='font-size:14.0pt;mso-bidi-font-size: 13.5pt;mso-ansi-language:EN-GB'>325-37.<o:p></o:p></span></p>  <p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span lang=EN-GB style='font-size:14.0pt;mso-bidi-font-size:13.5pt;mso-ansi-language: EN-GB'><![if !supportEmptyParas]>&nbsp;<![endif]><o:p></o:p></span></p>  <p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span lang=EN-GB style='font-size:14.0pt;mso-bidi-font-size:13.5pt;mso-ansi-language: EN-GB'>_______________,<span style="mso-spacerun: yes"> </span>&quot;Eve Fragmented into a Thousand Faces: Women's Roles in Anne Hbert's Le Premier Jardin,&quot; Women By Women. Ed. Roseanna L. Dufault.Madison: Fairleigh Dickinson University Press, 1997: 120-35.<o:p></o:p></span></p>  <p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span lang=EN-GB style='font-size:14.0pt;mso-bidi-font-size:12.0pt;mso-ansi-language: EN-GB'><![if !supportEmptyParas]>&nbsp;<![endif]><o:p></o:p></span></p>  <p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span lang=FR style='font-size:14.0pt;mso-bidi-font-size:13.5pt;mso-ansi-language: FR'>_______________,<span style="mso-spacerun: yes"> </span>&quot;Deux romans-enqutes: Les Fous de Bassan d'Anne Hbert,</span><span lang=FR style='font-size:14.0pt;mso-bidi-font-size:12.0pt;mso-ansi-language:FR'> </span><span lang=FR style='font-size:14.0pt;mso-bidi-font-size:13.5pt;mso-ansi-language: FR'>un modle possible pour Traverse de la mangrove de Maryse Cond&quot;.<span style="mso-spacerun: yes"> </span>Maryse</span><span lang=FR style='font-size:14.0pt;mso-bidi-font-size:12.0pt;mso-ansi-language: FR'> </span><span lang=FR style='font-size:14.0pt;mso-bidi-font-size:13.5pt; mso-ansi-language:FR'>Cond: Questions et rponses  propos d'une crivaine politiquement</span><span lang=FR style='font-size:14.0pt;mso-bidi-font-size: 12.0pt;mso-ansi-language:FR'> </span><span lang=FR style='font-size:14.0pt; mso-bidi-font-size:13.5pt;mso-ansi-language:FR'>incorrecte. Paris: L'Harmattan, 1996: 127-43.<o:p></o:p></span></p>  <p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span lang=FR-CA style='font-size:14.0pt;mso-bidi-font-size:12.0pt;mso-ansi-language: FR-CA'><![if !supportEmptyParas]>&nbsp;<![endif]><o:p></o:p></span></p>  <p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span lang=FR style='font-size:14.0pt;mso-bidi-font-size:13.5pt;mso-ansi-language: FR'>_______________,<span style="mso-spacerun: yes"> </span>&quot;Le Premier Jardin d'Anne Hbert comme hommage </span><span lang=FR style='font-size:14.0pt; mso-bidi-font-size:12.0pt;mso-ansi-language:FR'> </span><span lang=FR style='font-size:14.0pt;mso-bidi-font-size:13.5pt;mso-ansi-language:FR'>Gabrielle Roy.&quot;<span style="mso-spacerun: yes"> </span>Colloque international &quot;Gabrielle Roy.&quot; Winnipeg: Presses</span><span lang=FR style='font-size:14.0pt;mso-bidi-font-size:12.0pt;mso-ansi-language:FR'> </span><span lang=FR style='font-size:14.0pt;mso-bidi-font-size:13.5pt;mso-ansi-language: FR'>Universitaires du Collge Saint Boniface, 1996: 575-91.<o:p></o:p></span></p>  <p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span lang=FR-CA style='font-size:14.0pt;mso-bidi-font-size:12.0pt;mso-ansi-language: FR-CA'><![if !supportEmptyParas]>&nbsp;<![endif]><o:p></o:p></span></p>  <p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span lang=EN-GB style='font-size:14.0pt;mso-bidi-font-size:13.5pt;mso-ansi-language: EN-GB'>_______________, &quot;The Climate of Viol/Violence and Madness in Anne</span><span lang=EN-GB style='font-size:14.0pt;mso-bidi-font-size:12.0pt;mso-ansi-language: EN-GB'> </span><span lang=EN-GB style='font-size:14.0pt;mso-bidi-font-size: 13.5pt;mso-ansi-language:EN-GB'>Hbert's Les Fous de Bassan.&quot;<span style="mso-spacerun: yes"> </span></span><span lang=FR-CA style='font-size: 14.0pt;mso-bidi-font-size:13.5pt;mso-ansi-language:FR-CA'>Qubec Studies 4 (1986):<span style="mso-spacerun: yes"> </span>170-183.<o:p></o:p></span></p>  <p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span lang=FR-CA style='font-size:14.0pt;mso-bidi-font-size:12.0pt;mso-ansi-language: FR-CA'><![if !supportEmptyParas]>&nbsp;<![endif]><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>RENAUD, Andr et ROBIDOUX, Rjean, &quot;<i>Les Chambres de bois</i> d'Anne Hbert&quot;, <i>le Roman canadien-franais du XXe sicle</i>, Ottawa, Editions de l'Universit d'Ottawa, 1966, p. 171-185.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>RENAUD, Benot, &quot;<i>Kamouraska</i>: roman et pome&quot;, Co-incidences 5, n<sup>os</sup> 2-3, (mai-dcembre 1975), 26-45.</span><span lang=FR-CA style='mso-ansi-language: FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>ROBIDOUX, Rjean, &quot;Kamouraska d'Anne Hbert&quot;, dans <i>Livres et auteurs qubcois</i>, Montral, Editions Jumonville, 1970, p. 24-26.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>--------, &quot;et al.&quot; &quot;Les Chambres de bois&quot;, dans <i>Le Roman canadien-franais du XX<sup></sup> sicle</i>, Ottawa, PUO, 1966, p. 171-85.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>ROCHAT, Denise, &quot;&nbsp;<i>Hloise</i> dAnne Hbert&nbsp;: une nouvelle Eurydice?&nbsp;</span><span lang=EN-GB style='font-size:13.5pt;mso-ansi-language: EN-GB'>&quot;, <i>Quebec Studies,</i> no 17, 1994, p.135-142.</span><span lang=EN-GB style='mso-ansi-language:EN-GB'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>ROCHON, C., &quot;&nbsp;Le <i>Temps sauvage</i> ou la souffrance crie&nbsp;&quot;, Incidences, n<sup>o</sup> 11, (automne 1966) p. 43-45.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>ROY, Max, &quot;<i>Le Torrent</i>, recueil de nouvelles d'Anne Hbert&quot;, <i>Dictionnaire des oeuvres littraires du Qubec, t. III: 1940  1959</i>, Montral, Fides, 1982, p. 1007-1011.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>ROSA DA SILVA, Edson, &quot;La Rgnration du cosmos dans un pome d'Anne Hbert: &quot;Printemps sur la ville&quot; &quot;, <i>Prsence francophone</i>, n<sup>o</sup> 23, (automne 1981), p. 163- 175.</span><span lang=FR-CA style='mso-ansi-language: FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>ROY, Lucille, &quot;Anne Hbert ou le Dsert du monde&quot;, <i>Voix et Images</i>, vol. 7, n<sup>o</sup> 3, (printemps 1982), p. 483-503.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>RUSSELL, D. W., &quot;Anne Hbert, Les Invits au procs&quot;, <i>Canadian Literature</i>, (automne 1977), p. 30-39.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=EN-GB style='font-size:13.5pt;mso-ansi-language:EN-GB'>--------, &quot;Anne Hbert : an annotated bibliography&quot;, in The Annotated Bibliography of Canada's Major Authors, vol. 7, eds. Robert Lecker, Jack David [Toronto :ECW], pp. 115-270.</span><span lang=EN-GB style='mso-ansi-language: EN-GB'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>RYAN, Marie-Laure, &quot;Neige&quot; d'Anne Hbert: un dialogue avec Saint-John Perse&quot;, <i>Prsence francophone</i>, n<sup>o</sup> 20, (printemps 1980), p. 127-135.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <h2><u><span lang=FR-CA style='mso-ansi-language:FR-CA'><br> <br> <a name=S>S</a></span></u><span style='mso-bookmark:S'><span lang=FR-CA style='mso-ansi-language:FR-CA'> </span></span><span lang=FR-CA style='mso-ansi-language:FR-CA'><a href="#Debut"><span style='text-decoration: none;text-underline:none'><img border=0 width=35 height=29 id="_x0000_i1040" src="http://www.mlink.net/~ahebert/images/fleche.GIF" alt="fleche.GIF (1347 bytes)"></span></a><o:p></o:p></span></h2>  <p><span lang=FR-CA style='mso-ansi-language:FR-CA'><br> </span><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>SAINT-AUBIN, &quot;<i>Les Chambres de bois</i> d'Anne Hbert&quot;, <i>Les Cahiers de la Nouvelle France</i>, n<sup>o</sup> 8, (octobre-dcembre 1958), p.266-269.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>SANADA, Keiko, &quot;&nbsp;La claustration dans loeuvre de Kenzaburo O et dans celle dAnne Hbert&nbsp;&quot;, <i>Revue internationale dtudes canadiennes,</i> no 6, automne 1992, 99-112.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>SCULLY, Robert-Guy, &quot;Un film sompteux tir d'un grand roman qubcois: <i>Kamouraska</i>, <i>Chtelaine</i>, vol. 14, n<sup>o</sup> 1, (janv. 1973), p. 21-23, 50, 52-53.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p style='margin:0cm;margin-bottom:.0001pt'><span lang=FR-CA style='font-size: 13.5pt;mso-ansi-language:FR-CA'>SIROIS, Antoine, <i>Mythes et symboles dans la littrature qubcoise,</i> Montral, Triptique, 1992, pp.83-96, 119-136.<u1:p> </u1:p></span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p style='margin:0cm;margin-bottom:.0001pt'><span lang=FR-CA style='font-size: 13.5pt;mso-ansi-language:FR-CA'>-------------<i> Lecture mythocritique du roman qubcois</i>, Montral, Triptyque, 1999.<u1:p> </u1:p></span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>SMART, (Purcell), Patricia,, &quot;La Posie d'Anne Hbert: une perspective fminine.&quot; <i>Revue de l'Universit d'Ottawa</i>, n<sup>o</sup> 50, 1980, p.62-68.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>--------, &quot;La Posie d'Anne Hbert: une perspective fminine&quot;, <i>la Revue de l'Universit d'Ottawa</i>, vol. 50, n<sup>o</sup> 1, (janvier, mars 1980), p. 62-68.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>SYLVESTRE, Guy, <i>Le Torrent</i>, <i>Revue de l'Universit d'Ottawa</i>, vol. 21, n<sup>o</sup> 4, (oct.-dc. 1951), p. 444-445.</span><span lang=FR-CA style='mso-ansi-language: FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>-------- , Panorama des lettres canadiennes francaises, Qubec, Ministre des Affaires culturelles, 1964, pp.55 et 71.</span><span lang=FR-CA style='mso-ansi-language: FR-CA'><o:p></o:p></span></p>  <h2><u><span lang=FR-CA style='mso-ansi-language:FR-CA'><br> <br> <a name=T>T</a></span></u><span style='mso-bookmark:T'><span lang=FR-CA style='mso-ansi-language:FR-CA'> </span></span><span lang=FR-CA style='mso-ansi-language:FR-CA'><a href="#Debut"><span style='text-decoration: none;text-underline:none'><img border=0 width=35 height=29 id="_x0000_i1041" src="http://www.mlink.net/~ahebert/images/fleche.GIF" alt="fleche.GIF (1347 bytes)"></span></a><o:p></o:p></span></h2>  <p><span lang=FR-CA style='mso-ansi-language:FR-CA'><br> </span><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>TADROS, Jean-Pierre, &quot;Claude Jutra: Une espce de joie dans la cration&quot;, <i>Cinma/Qubec</i>, vol. 2, n<sup>os</sup> 6-7, (mars-avril 1973), p. 15-19.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>THERIO, Adrien, &quot;La Maison de la belle et du prince ou l'Enfer dans l'oeuvre romanesque d'Anne Hbert</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>TOUGAS, Grard, <i>Histoire de la littrature canadienne- francaise,</i> Paris, PUF, 1960, P. 217-220.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <h2><u><span lang=FR-CA style='mso-ansi-language:FR-CA'><br> <br> <a name=U>U</a></span></u><span style='mso-bookmark:U'><span lang=FR-CA style='mso-ansi-language:FR-CA'> </span></span><span lang=FR-CA style='mso-ansi-language:FR-CA'><a href="#Debut"><span style='text-decoration: none;text-underline:none'><img border=0 width=35 height=29 id="_x0000_i1042" src="http://www.mlink.net/~ahebert/images/fleche.GIF" alt="fleche.GIF (1347 bytes)"></span></a><o:p></o:p></span></h2>  <p><span lang=FR-CA style='mso-ansi-language:FR-CA'><br> </span><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>URBAS, Jeannette, &quot;Reflet et rvlation. La technique du miroir dans le roman canadien-franais moderne&quot;, <i>la Revue de l'Universit d'Ottawa</i>, vol. 43, n<sup>o</sup> 4, oct.-dc.) 1973, p. 583-586, p. 580-584.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <h2><u><span lang=FR-CA style='mso-ansi-language:FR-CA'><br> <br> <a name=V>V</a></span></u><span style='mso-bookmark:V'><span lang=FR-CA style='mso-ansi-language:FR-CA'> </span></span><span lang=FR-CA style='mso-ansi-language:FR-CA'><a href="#Debut"><span style='text-decoration: none;text-underline:none'><img border=0 width=35 height=29 id="_x0000_i1043" src="http://www.mlink.net/~ahebert/images/fleche.GIF" alt="fleche.GIF (1347 bytes)"></span></a><o:p></o:p></span></h2>  <p><span lang=FR-CA style='mso-ansi-language:FR-CA'><br> </span><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>VAILLANCOURT, Pierre-Louis, &quot;Smiologie d'un ange, tude de &quot;l'Ange de Dominique&quot; d'Anne Hbert&quot;, <i>Voix et Images</i>, vol. </span><span lang=EN-GB style='font-size:13.5pt;mso-ansi-language:EN-GB'>V, n<sup>o</sup> 2, (hiver 1980), p. 353-363.</span><span lang=EN-GB style='mso-ansi-language:EN-GB'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>VERREAULT, Robert, <i>LAutre ct du monde. Le passage  lge adulte chez Michel Tremblay, Rjean Ducharme, Anne Hbert et Marie-Claire Blais</i>, Montral, Liber, 1998.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <p><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>VIATTE, Auguste, <i>Histoire littraire de lAmrique francaise</i>, Paris, PUF, 1954, p. 195-196.</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  <h2><u><span lang=FR-CA style='mso-ansi-language:FR-CA'><br> <br> <a name=W>W</a></span></u><span style='mso-bookmark:W'><span lang=FR-CA style='mso-ansi-language:FR-CA'> </span></span><span lang=FR-CA style='mso-ansi-language:FR-CA'><a href="#Debut"><span style='text-decoration: none;text-underline:none'><img border=0 width=35 height=29 id="_x0000_i1044" src="http://www.mlink.net/~ahebert/images/fleche.GIF" alt="fleche.GIF (1347 bytes)"></span></a><o:p></o:p></span></h2>  <p><span lang=FR-CA style='mso-ansi-language:FR-CA'><br> </span><span lang=FR-CA style='font-size:13.5pt;mso-ansi-language:FR-CA'>WYCZYNSKI, Paul, &quot;L'Univers potique d'Anne Hbert&quot;, dans <i>Posie et symbole</i>, Montral, Dom, 1965, p. 149-185.</span><span lang=FR-CA style='mso-ansi-language: FR-CA'><o:p></o:p></span></p>   <div class=MsoNormal align=center style='text-align:center'><span lang=FR-CA style='mso-ansi-language:FR-CA'>  <hr size=2 width="100%" align=center>  </span></div>   <p align=center style='text-align:center'><span lang=FR-CA style='font-size: 13.5pt;mso-ansi-language:FR-CA'>| <a href="http://www.mlink.net/~ahebert/index.html#Menu principal">Retour au menu principal</a> |</span><span lang=FR-CA style='mso-ansi-language:FR-CA'><o:p></o:p></span></p>  </div>  </body>  </html> 
