<html>  <head> <meta http-equiv="Content-Type" content="text/html; charset=windows-1252"> <meta name="GENERATOR" content="Microsoft FrontPage 4.0"> <meta name="ProgId" content="FrontPage.Editor.Document"> <title>Nouvelle page 1</title> <style> <!-- .Texte       {  } --> </style> </head>  <body bgcolor="#66CCFF">  <p class="MsoNormal" style="text-indent: 14.2pt; background-color: #00FFFF"> <b>   <font face="Arial" size="3"><img border="0" src="images/BD10264_.GIF" width="15" height="15">   </font></b><font face="Arial" color="#000080"><b style="mso-bidi-font-weight: normal; mso-bidi-font-size: 10.0pt; mso-bidi-font-family: Times New Roman"><span style="font-size: 14.0pt; mso-bidi-font-size: 10.0pt; mso-bidi-font-family: Times New Roman; mso-bidi-font-weight: normal">Jol THOMAS<o:p> </o:p> </span></b></font></p> <p class="MsoNormal" style="text-indent: 14.2pt; line-height: 150%"><font face="Arial" color="#000080" size="3"><i><b style="mso-bidi-font-weight: normal; mso-bidi-font-size: 10.0pt; mso-bidi-font-family: Times New Roman"><span style="mso-bidi-font-size: 10.0pt; mso-bidi-font-family: Times New Roman; mso-bidi-font-weight: normal">Professeu</span></b><span style="mso-bidi-font-size: 10.0pt; mso-bidi-font-family: Times New Roman; mso-bidi-font-weight: normal"><b style="mso-bidi-font-weight: normal; font-size: 12.0pt; mso-bidi-font-size: 10.0pt; mso-bidi-font-family: Times New Roman">r, Langue et Littrature latines (8 section)</b></span></i></font></p> <p class="MsoNormal" style="text-indent: 14.2pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3"><o:p>  &nbsp;</font></span></p> <h2 align="center" style="line-height: 150%"><font size="3"><font face="Arial">Titres universitaires</font><span style="font-size:12.0pt; mso-bidi-font-size:10.0pt;font-family:Arial;mso-bidi-font-family:&quot;Times New Roman&quot;"></o:p> </span></font></h2> <p class="MsoNormal" style="text-indent: 14.2pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">Agrgation des Lettres (1969). <o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-indent: 14.2pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">Doctorat dEtat s Lettres (Paris X - Nanterre, juin 1980). <i style="mso-bidi-font-style: normal">Structures de limaginaire dans lEnide</i><i style="font-size: 12.0pt; mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman">.</i> Directeur de thse&nbsp;: J.P.&nbsp;Brisson. Prsident de jury&nbsp;: P.&nbsp;Grimal.<b><o:p> </o:p> </b></font></span></p> <p class="MsoNormal" align="center" style="text-indent: 14.2pt; line-height: 150%"><b><font size="3"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman; mso-bidi-font-weight: normal">E<b style="mso-bidi-font-weight: normal; mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman">nseignements&nbsp;<o:p> </o:p> </b></span></font></b></p> <p class="MsoNormal" style="text-indent: 14.2pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">Langue latine en Licence et Matrise de Lettres Classiques<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-indent: 14.2pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">Histoire des Ides latines (DEUG 1 et 2&nbsp;; Lettres classiques et modernes)<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-indent: 14.2pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">DESS&nbsp;&nbsp;Formation en ingnierie culturelle et touristique&nbsp; (FICT)<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-indent: 14.2pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">DEA &nbsp;Espaces, Temps, Socits&nbsp;; Cultures et Voyages&nbsp;<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-indent: 14.2pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">Prparation  lpreuve de latin du CAPES de Lettres Modernes<o:p> </o:p> </font> </span></p> <p class="MsoNormal" align="center" style="text-indent: 14.2pt; line-height: 150%"><b style="mso-bidi-font-weight:normal"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">Responsabilits&nbsp;<o:p> </o:p> </font> </span></b></p> <p class="MsoNormal" style="text-indent: 14.2pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">Directeur de lEcole Doctorale 213 &nbsp;<i style="mso-bidi-font-style:normal">Sciences Humaines et Sociales</i>&nbsp;<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-indent: 14.2pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">Prsident de la Commission de Spcialistes des 7, 8, 9 et 10 sections CNU<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-indent: 14.2pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">Secrtaire Gnral de la fdration internationale des Centres de Recherche sur lImaginaire.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-indent: 14.2pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">Membre du Conseil Scientifique de luniversit de Perpignan<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-indent: 14.2pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">Responsable pdagogique de la Licence et de la Matrise de Lettres Classiques<o:p> </o:p> </font> </span></p> <p class="MsoNormal" align="center" style="text-indent: 14.2pt; line-height: 150%"><b style="mso-bidi-font-weight:normal"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">Domaines de recherche<o:p> </o:p> </font> </span></b></p> <p class="MsoNormal" style="text-indent: 14.2pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">Etudes virgiliennes<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-indent: 14.2pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">Posie latine<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-indent: 14.2pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">Epope latine<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-indent: 14.2pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">Socit et idologie romaines<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-indent: 14.2pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">Symbolique et imaginaire des socits de lAntiquit<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-indent: 14.2pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">Mythologie<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-indent: 14.2pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">Mthodologies de limaginaire<o:p> </o:p> </font> </span></p> <p class="MsoNormal" align="center" style="text-indent: 14.2pt; line-height: 150%"><b style="mso-bidi-font-weight:normal"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">Equipe de recherche<o:p> </o:p> </font> </span></b></p> <p class="MsoNormal" style="text-align: justify; text-indent: 14.2pt; line-height: 150%"><font size="3"><a href="http://www.univ-perp.fr/lsh/rch/vect/default.htm"><b><font face="Arial">VECT</font></b></a><b> </b><span style="font-size:12.0pt;mso-bidi-font-size:10.0pt;font-family:Arial;mso-bidi-font-family: &quot;Times New Roman&quot;">(Voyages, Echanges, Confrontations, Transformations. Parcours mditerranens de lespace, du texte et de limage). Equipe dAccueil de lUniversit de Perpignan (directeur&nbsp;: Paul Carmignani). Coordinateur de laxe n&nbsp;1&nbsp;(&quot;Antiquit&quot;).<o:p> </o:p> </span> </font></p> <p class="MsoNormal" align="center" style="text-indent: 14.2pt; line-height: 150%"><font size="3"><b style="mso-bidi-font-weight:normal"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman">Publications<o:p> </o:p> </span></b><b style="mso-bidi-font-weight: normal"><i style="mso-bidi-font-style:normal"><span style="font-size:12.0pt; mso-bidi-font-size:10.0pt;font-family:Arial;mso-bidi-font-family:&quot;Times New Roman&quot;"><o:p> </o:p> </span></i></b></font></p> <p class="MsoNormal" style="text-indent: 14.2pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3"><b style="mso-bidi-font-weight: normal; mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman; mso-bidi-font-style: normal"><i style="mso-bidi-font-style: normal; mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman; mso-bidi-font-weight: normal">Ouvrages&nbsp;et direction douvrages<o:p> </o:p> <o:p> </o:p> </i></b> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">- <i style="mso-bidi-font-style:normal">Structures de l'Imaginaire dans l'<u>Enide</u></i> , Paris, Belles Lettres, Coll. d'Etudes Anciennes, 1981, 447 p., 2 pl. (texte intgral de la thse de Doctorat d'Etat).<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">- <i style="mso-bidi-font-style:normal">Le dpassement du quotidien dans l'<u>Enide</u> , les <u>Mtamorphoses</u> d'Apule et le <u>Satiricon</u> . Essai sur trois univers imaginaires</i>, Paris, Belles Lettres, Coll. d'Etudes Anciennes, 1986, 210 p.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">- <i style="mso-bidi-font-style:normal">L'Imaginaire de l'Espace et du Temps chez les Latins</i> (ouvrage collectif de l'EPRIL coordonn et dirig par J. THOMAS), Cahiers de l'Universit de Perpignan, n 5, automne 1988 (2 dition 1991), 190 p.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">- <i style="mso-bidi-font-style:normal">Les Imaginaires des Latins</i>, Actes du Colloque international de Perpignan, coordonns et dirigs par J. THOMAS, Perpignan, Presses Univ., Coll. &quot;Etudes&quot;, 1992 (2 dition 1995), 208 p.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">- <i style="mso-bidi-font-style:normal">L'Imaginaire religieux grco-romain</i>, (ouvrage collectif de l'EPRIL coordonn et dirig par J. THOMAS), Perpignan, Presses Univ., Collection &quot;Etudes&quot;, 1994, 336 p.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">- <i style="mso-bidi-font-style:normal">LArbre et la fort dans l<u>Enide</u> et l<u>Enas</u>. De la psych antique  la psych mdivale</i> (en collaboration avec P. GALLAIS&nbsp;; Prface de Gilbert DURAND), Paris-Genve, Champion-Slatkine, 1997.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">- <i style="mso-bidi-font-style:normal">Euphrosyne</i>, numro spcial sur <i style="mso-bidi-font-style:normal">les religions grecque et romaine</i> (codirection avec Aires A. NASCIMENTO), Lisbonne, XXV, 1997, 548 p.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">- <i style="mso-bidi-font-style:normal">Introduction aux mthodologies de limaginaire</i>, (ouvrage collectif coordonn et dirig par J. THOMAS), Paris, Ellipses, 1998.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">- <i style="mso-bidi-font-style:normal">Virgile. <u>Bucoliques</u>, <u>Gorgiques</u></i>, Paris, Ellipses, coll. &nbsp;Textes fondateurs&nbsp;, 1998.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">- <i style="mso-bidi-font-style:normal">Dictionnaire critique de lsotrisme</i> (J. Servier dir. - Direction du secteur &nbsp;Monde romain&nbsp;, rdaction de 106 notices et articles), Paris, P.U.F., 1998.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">- <i style="mso-bidi-font-style:normal">Saveurs, senteurs. Le got de la Mditerrane</i>, Actes du colloque international de Perpignan, co-dirigs par P. CARMIGNANI, J.Y. LAURICHESSE et J. THOMAS, Perpignan, Presses Univ., coll. &nbsp;Etudes&nbsp;, 1998.<o:p> </o:p> <o:p> &nbsp; </font> </span></p> <p style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><font face="Arial"><i>- Imaginaire et modes de construction du savoir antique dans les textes  scientifiques et techniques</i>, Actes du colloque de Perpignan (12-13 mai 2000), en collaboration avec Mireille COURRENT, <font size="3"> Presses Universitaires de Perpignan (<a href="http://www.univ-perp.fr/cgi-bin/scripts-asp/cloup.asp?urltarget=/scgx/pup/pup.htm">PUP</a>), coll. &quot;Etudes&quot;, 2001, 174 p.</font></font></p> <p style="mso-list: l3 level1 lfo1; tab-stops: list 43.5pt; line-height: 150%; text-indent: 0">- <font face="Arial" size="3"><i>Hekateia. Au carrefour des savoirs </i>(dir. avec P. Carmignani), Perpignan, Presses Universitaires, coll. &nbsp;Etudes&nbsp;, 2002, 174 p.</font></p> <p style="mso-list: l3 level1 lfo1; tab-stops: list 43.5pt; line-height: 150%; text-indent: 0"><font face="Arial" size="3">- <i>Mythes et littrature </i>(en collaboration avec F. Monneyron), Paris, P.U.F., &nbsp;Que sais-je&nbsp;?&nbsp;, 2002, 128 p.</font></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3"></o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><b style="mso-bidi-font-weight:normal"><i style="mso-bidi-font-style:normal"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">Articles (depuis 1995)&nbsp;:<o:p> </o:p> <o:p> </o:p> </font> </span></i></b></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><i style="mso-bidi-font-style:normal"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">Etudes sur lAntiquit classique&nbsp;:<o:p> </o:p> </font> </span></i></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><font size="3"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman">-&quot;Le sens de la limite chez les picuriens et les stociens  Rome (I s. av. </span><span lang="EN-GB" style="font-size:12.0pt; mso-bidi-font-size:10.0pt;font-family:Arial;mso-bidi-font-family:&quot;Times New Roman&quot;; mso-ansi-language:EN-GB">J.C. - I s. ap. </span><span style="font-size:12.0pt; mso-bidi-font-size:10.0pt;font-family:Arial;mso-bidi-font-family:&quot;Times New Roman&quot;">J.C.), in <i style="mso-bidi-font-style:normal">Frontires terrestres, frontires clestes dans l'Antiquit</i>,<span style="mso-spacerun: yes">&nbsp; </span>Coll. &quot;Etudes&quot;, Perpignan, P.U.P, (diff. De Boccard), 1995, pp. 297-308.<o:p> </o:p> </span></font></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">- &quot;A propos du symbolisme zodiacal de l'<i style="mso-bidi-font-style:normal">Enide</i>&quot;, in <i style="mso-bidi-font-style: normal">Latomus</i>, Bruxelles, tome 54, fasc. 1, janvier-mars 1995, pp. 86-91.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">- &quot;La symbolique de la calanque dans l'<i style="mso-bidi-font-style:normal">Enide</i> de Virgile&quot;, in <i style="mso-bidi-font-style:normal">Mditerrane. Imaginaires de l'espace</i>, Cahiers de l'Universit de Perpignan, n 20, Perpignan, Presses Universitaires, 1995, pp. 13-28.<u><o:p> </o:p> </u></font></span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">- &quot;L'<i style="mso-bidi-font-style:normal">Eneide</i> e <i style="mso-bidi-font-style:normal">Cinema Paradiso</i>: due variazioni sul tema archetipale dei &quot;destini incrociati&quot; e del viaggio iniziatico&quot;, in <i style="mso-bidi-font-style:normal">L'Immaginale</i>, n 19, Lecce, octobre 1995, (trad. en italien par Anna Accogli), pp. 140-153.<u><o:p> </o:p> </u></font></span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">- &quot;Properce, ou l'incommunication (<i style="mso-bidi-font-style: normal">Elgies</i>, I, 3)&quot;, in <i style="mso-bidi-font-style:normal">L'imaginaire de la communication, II</i>, <i style="mso-bidi-font-style:normal">Eidlon</i> n 46, Bordeaux, janvier 1996, pp.31-38.<u><o:p> </o:p> </u></font></span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">-&quot;Le personnage d'Ene: ses rapports aux autres et au monde&quot;, in <i style="mso-bidi-font-style:normal">L'Ecole des Lettres</i>, n spcial<i style="mso-bidi-font-style:normal">, Virgile, l'<u>Enide</u>, Livre VI</i>, n 4, novembre 1995, pp. 55-66.<u><o:p> </o:p> </u></font></span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">- &nbsp;Virgile et Tite-Live&nbsp;: la clbration du destin romain&nbsp;, in <i style="mso-bidi-font-style:normal">Rome, I s. av. J.C. Ainsi prit la rpublique des vertus...,</i> Paris, Ed. <i style="mso-bidi-font-style:normal">Autrement</i>, coll. &nbsp;Mmoires&nbsp;, tome I, 1996, pp. 162-175.<u><o:p> </o:p> </u></font></span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">- &nbsp;Dionysos&nbsp;: lambivalence du dsir&nbsp;, in <i style="mso-bidi-font-style:normal">Euphrosyne</i> XXIV, Lisbonne, 1996, pp. 33-51.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">- &nbsp;Rome, ou la violence transforme. Le mythe de la rgnration chez les Latins&nbsp;, in <i style="mso-bidi-font-style:normal">LAge dOr</i> (J. Poirier dir.), Dijon, Editions Universitaires, 1996, pp. 91-141.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">- &nbsp;Lenfant, la toupie et le cercle. Etude comparative entre Virgile, <i style="mso-bidi-font-style:normal">Enide</i> VII, 378-384 et un jeu rituel des Bambara&nbsp;, in <i style="mso-bidi-font-style:normal">LImaginaire des Ages de la Vie</i> (D. Chauvin dir.), Grenoble, ELLUG, 1996, pp. 55-68.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">- &quot;L'imaginaire grco-latin et la science contemporaine; la pense du complexe; tat des lieux et prospectives.&quot;, <i style="mso-bidi-font-style:normal">Euphrosyne</i>, n XXV, Lisbonne, 1997, p. 371-381.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span lang="DE" style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman; mso-ansi-language: DE"><font size="3">- &nbsp;Der Traum. Wege der Erkenntnis im klassischen Altertum&nbsp;, in <i style="mso-bidi-font-style:normal">Die Wahrheit der Trame</i>, Actes des confrences d<i style="mso-bidi-font-style: normal">Eranos</i> 1995, Mnchen, Wilhelm Fink Verlag, 1997, p. 145-185.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">- &nbsp;Deux figures &quot;circulaires&quot; du temps dans l'initiation grco-romaine: le temps &quot;tiss&quot; et le temps &quot;en miroir&quot;&nbsp;, in <i style="mso-bidi-font-style:normal">Les Figures du Temps</i>, (L. Couloubaritsis et J.J. Wunenburger dir.), Strasbourg, Presses Universitaires, 1997, p. 141-152.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">- &nbsp;&quot;<i style="mso-bidi-font-style:normal">J'ai vu les nymphes nues</i>&quot;: tropismes du regard  Rome.&nbsp;, <i style="mso-bidi-font-style:normal">Iris</i>, numro hors-srie sur <i style="mso-bidi-font-style:normal">Lil fertile</i>, Grenoble, ELLUG, 1997, p. 45-56.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">- &nbsp;Dioniso&nbsp;: lambivalenza del desiderio&nbsp; (trad. en italien par Pasquale Mauro),<i style="mso-bidi-font-style:normal">LImmaginale</i>, n 23, octobre 1997, Lecce, p. 71-105.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">- &nbsp;Le thme du dsert dans lhagiographie de saint Antoine et dans la <i style="mso-bidi-font-style:normal">Pharsale</i> de Lucain&nbsp;, <i style="mso-bidi-font-style:normal">Euphrosyne</i> n XXVI, Lisbonne, 1998, p. 169-175.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">- &nbsp;La nourriture dimmortalit en Grce et  Rome&nbsp;, <i style="mso-bidi-font-style:normal">in Saveurs, senteurs. Le got de la Mditerrane</i> (Actes du colloque de Perpignan&nbsp;; P. Carmignani, J.Y. Laurichesse et J. Thomas dir.), Perpignan, Presses Universitaires, 1998, p. 13-22.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">- &nbsp;Socio-culture de lAntiquit classique&nbsp;; la rpublique romaine et limaginaire du &quot;retour du roi&quot;&nbsp;, in <i style="mso-bidi-font-style:normal">Introduction aux mthodologies de limaginaire</i>, Paris, Ellipses, 1998, p.177-180.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">-&nbsp;Socio-culture de lAntiquit classique&nbsp;; limaginaire virgilien&nbsp;, in <i style="mso-bidi-font-style:normal">Introduction aux mthodologies de limaginaire</i>, Paris, Ellipses, 1998, p. 187-191.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">-&nbsp;Rome antique&nbsp;, prsentation du secteur &nbsp;Monde romain&nbsp; du <i style="mso-bidi-font-style:normal">Dictionnaire critique de lsotrisme</i> (J. Servier dir.), Paris, P.U.F., 1998, p. 1121-1125.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">-Article &nbsp;Mystres de Mithra&nbsp;, <i style="mso-bidi-font-style:normal">Dictionnaire critique de lsotrisme</i> (J. Servier dir.), Paris, P.U.F., 1998, p. 864-866.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">-Article &nbsp;Nopythagoriciens&nbsp;, <i style="mso-bidi-font-style:normal">Dictionnaire critique de lsotrisme</i> (J. Servier dir.), Paris, P.U.F., 1998, p. 916-918.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">-Article &nbsp;Socio-histoire de lsotrisme  Rome&nbsp;, <i style="mso-bidi-font-style:normal">Dictionnaire critique de lsotrisme</i> (J. Servier dir.), Paris, P.U.F., 1998, p. 1200-1203.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">-Article &nbsp;Virgile&nbsp;, <i style="mso-bidi-font-style: normal">Dictionnaire critique de lsotrisme</i> (J. Servier dir.), Paris, P.U.F., 1998, p. 1362-1366.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">-Articles &nbsp;Adonis&nbsp;, &nbsp;Alchimie&nbsp;, &nbsp;Androgyne&nbsp;, &nbsp;Ange gardien&nbsp;, &nbsp;Anglologie&nbsp;, &nbsp;Angerona&nbsp;, &nbsp;Antre des Nymphes&nbsp;, &nbsp;Apollon&nbsp;, &nbsp;Apule&nbsp;, Arcane&nbsp;, &nbsp;Arts libraux&nbsp;, &nbsp;Arvales&nbsp;, &nbsp;Astrologie&nbsp;, &nbsp;Attis&nbsp;, &nbsp;Augures&nbsp;, &nbsp;Banquet sacr&nbsp;, &nbsp;Baptme&nbsp;, &nbsp;Basilique de la Porte Majeure&nbsp;, &nbsp;Boce&nbsp;, &nbsp;Bona Dea&nbsp;, &nbsp;Calendrier&nbsp;, &nbsp;Carmenta&nbsp;, &nbsp;Crs&nbsp;, &nbsp;Cicron&nbsp;, &nbsp;&nbsp;Clerg&nbsp;, &nbsp;Cyble&nbsp;, &nbsp;Dmembrement&nbsp;, &nbsp;<i style="mso-bidi-font-style: normal">Devotio</i>&nbsp;, &nbsp;Dieux comme nergies&nbsp;, &nbsp;Dioscures&nbsp;, &nbsp;Dolichenus (Jupiter)&nbsp;, &nbsp;Droite&nbsp;, &nbsp;Echo&nbsp;, &nbsp;Enfants&nbsp;, &nbsp;pi&nbsp;, &nbsp;<i style="mso-bidi-font-style:normal">Equus October</i> (Cheval dOctobre)&nbsp;, &nbsp;<i style="mso-bidi-font-style:normal">Evocatio</i>&nbsp;, &nbsp;Faunus&nbsp;, &nbsp;Ftiaux&nbsp;, &nbsp;<i style="mso-bidi-font-style: normal">Flamen</i>&nbsp;, &nbsp;Fondation (rituel de)&nbsp;, &nbsp;Fortuna&nbsp;, &nbsp;Fratrie&nbsp;, &nbsp;Gardien du seuil&nbsp;, &nbsp;<i style="mso-bidi-font-style:normal">Genius</i>&nbsp;, &nbsp;Hcate&nbsp;, &nbsp;Hercule&nbsp;, &nbsp;Horace&nbsp;, &nbsp;Horatius Flaccus&nbsp;, &nbsp;Horoscope de Rome&nbsp;, &nbsp;Initiation&nbsp;, &nbsp;Isis&nbsp;, &nbsp;Janus&nbsp;, &nbsp;Jene&nbsp;, &nbsp;Jeux&nbsp;, &nbsp;Junon&nbsp;, &nbsp;Jupiter&nbsp;, &nbsp;Labyrinthe&nbsp;, &nbsp;Lares&nbsp;, &nbsp;Latium&nbsp;, &nbsp;Lmures et <i style="mso-bidi-font-style:normal">larvae</i>&nbsp;, &nbsp;Lier/dlier&nbsp;, &nbsp;Lieux magiques&nbsp;, &nbsp;<i style="mso-bidi-font-style:normal">Lituus</i>&nbsp;, &nbsp;Livres sibyllins&nbsp;, &nbsp;Lupercales&nbsp;, &nbsp;Macrobe&nbsp;, &nbsp;Mnes&nbsp;, &nbsp;Manilius&nbsp;, &nbsp;Mars&nbsp;, &nbsp;Martianus Capella&nbsp;, &nbsp;Mdecine&nbsp;, &nbsp;Mercure&nbsp;, &nbsp;Messianisme&nbsp;, &nbsp;Mot de passe&nbsp;, &nbsp;<i style="mso-bidi-font-style:normal">Mundus</i>&nbsp;, &nbsp;Mystres&nbsp;, &nbsp;Mythologie (interprtation sotrique de la)&nbsp;, &nbsp;Nigidius Figulus&nbsp;, &nbsp;Noces mystiques&nbsp;, &nbsp;Nom secret dans les mystres&nbsp;, &nbsp;Noms secrets de Rome&nbsp;, &nbsp;Numrologie&nbsp;, &nbsp;Onction&nbsp;, &nbsp;Orphisme&nbsp;, &nbsp;Ovide&nbsp;, &nbsp;Palladium&nbsp;, &nbsp;Pnates&nbsp;, &nbsp;Phnix&nbsp;, &nbsp;Philosophie&nbsp;, &nbsp;Physiognomonie&nbsp;, &nbsp;<i style="mso-bidi-font-style:normal">Pileus</i>&nbsp;, &nbsp;<i style="mso-bidi-font-style:normal">Pontifex</i>&nbsp;, &nbsp;<i style="mso-bidi-font-style:normal">Psychomantium</i>&nbsp;, &nbsp;<i style="mso-bidi-font-style:normal">Puer/senex</i>&nbsp;, &nbsp;Purification&nbsp;, &nbsp;Rire&nbsp;, Saliens&nbsp;, &nbsp;Saturne&nbsp;, &nbsp;Secret&nbsp;, &nbsp;Snque&nbsp;, &nbsp;Servius&nbsp;, &nbsp;Solaires (cultes)&nbsp;, &nbsp;<i style="mso-bidi-font-style:normal">Sortes</i>&nbsp;, &nbsp;Syrie (mystres de)&nbsp;, &nbsp;&nbsp;Talisman&nbsp;, &nbsp;Tellus&nbsp;, &nbsp;Tissage&nbsp;, &nbsp;Triomphe&nbsp;, &nbsp;Varron&nbsp;, &nbsp;Vnus&nbsp;, &nbsp;Vesta&nbsp;, &nbsp;Vestales&nbsp;, &nbsp;Virbius&nbsp;, &nbsp;<i style="mso-bidi-font-style:normal">Vittae</i>&nbsp;, &nbsp;Voyage&nbsp;, &nbsp;Vulcain&nbsp;, in <i style="mso-bidi-font-style: normal">Dictionnaire critique de lsotrisme</i> (J. Servier dir.), Paris, P.U.F., 1998.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">-&nbsp;La truie blanche et les trente gorets dans l<i style="mso-bidi-font-style:normal">nide</i> de Virgile&nbsp;, in <i style="mso-bidi-font-style:normal">Mythologies du Porc</i>, Actes du Colloque de Saint Antoine lAbbaye (4-5 avril 1998), Grenoble, Jrme Million, 1999, p. 51-72.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">-&nbsp;Limaginaire de lamour chez les Latins&nbsp;, in <i style="mso-bidi-font-style:normal">Euphrosyne</i>, XXVII, Lisbonne, 1999, p. 31-50.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">-&nbsp;Umriss einer Geschichte des Schuldgefhls in Rom&nbsp;, in <i style="mso-bidi-font-style:normal">Schuld</i> (Tilo Schabert et Detlev Clemens dir.), Actes des confrences d<i style="mso-bidi-font-style: normal">Eranos</i> 1996, Mnchen, Wilhelm Fink Verlag, 1999, p. 191-222 (trad. de Mechthild et Guiu Sobial-Caanitz).<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">-&nbsp;Il cibo dellimmortalit in Grecia e a Roma&nbsp;, in <i style="mso-bidi-font-style:normal">LImmaginale</i>, n 26, Lecce, avril 1999, p. 49-65. (trad. Pasquale Mauro).<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">-&nbsp;Deux visages du destin dans le second livre de l<i style="mso-bidi-font-style:normal">Enide</i>&nbsp;, in <i style="mso-bidi-font-style: normal">Vita Latina</i>, n 155, Montpellier, septembre 1999, p. 8-18.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">-&nbsp;Le buf, la truie et la louve&nbsp;: les animaux-totems et les voyageurs dans le mythe des origines de Rome&nbsp;, in <i style="mso-bidi-font-style:normal">Bouleversants voyages. Itinraires et transformations </i>(P. Carmignani dir.), Perpignan, Presses Universitaires, coll. &nbsp;Etudes&nbsp;, 2000, p. 67-84.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">-&nbsp;L<i style="mso-bidi-font-style:normal">otium</i> dans les <i style="mso-bidi-font-style:normal">Bucoliques</i>&nbsp;: temps suspendu et temps de lclair.&nbsp;, in <i style="mso-bidi-font-style:normal">Euphrosyne</i>, numro thmatique sur <i style="mso-bidi-font-style:normal">Le Temps</i>, XXVIII, 2000, p. 213-220.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%; text-indent: 0; margin-left: 0; margin-right: 0"><font face="Arial" size="3">- &nbsp;Bibliographie sommaire sur linspiration potique dans laire culturelle de la romanit&nbsp;, in <i style="mso-bidi-font-style:normal">Lantique notion dinspiration</i> (dir. J. Assal), <i style="mso-bidi-font-style:normal">Noesis</i>, n 4, Paris, Vrin Diffusion, 2000, p. 299-301.<o:p> </o:p> </font></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%; text-indent: 0; margin-left: 0; margin-right: 0"><font face="Arial" size="3">- &nbsp;Deux figures de limaginaire grco-romain&nbsp;: lacrobate et le plongeur&nbsp;, in <i style="mso-bidi-font-style:normal">Etudes sur limaginaire. Mlanges offerts  Claude-Gilbert Dubois</i> (G. Peylet dir.), Paris, LHarmattan, 2001, p. 77-89.<o:p> </o:p> </font></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%; text-indent: 0; margin-left: 0; margin-right: 0"><font face="Arial" size="3">- &nbsp;Les tudes sur la latinit et limaginaire  lUniversit de Perpignan&nbsp;, in <i style="mso-bidi-font-style:normal">LUniversit de Perpignan (1350-2000). Tradition humaniste et modernit scientifique</i>, Perpignan, P.U.P., 2001, p. 303-311.<o:p> </o:p> </font></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%; text-indent: 0; margin-left: 0; margin-right: 0"><font face="Arial" size="3">- &nbsp;Introduction&nbsp; in <i style="mso-bidi-font-style:normal">Imaginaire et modes de construction du savoir antique dans les textes scientifiques et techniques</i>, Actes du colloque international de Perpignan (12-13 mai 2000), co-dirigs par Mireille COURRENT et Jol THOMAS, Perpignan, Presses Universitaires, coll. &nbsp;Etudes&nbsp;, 2001, p. 7-12.<o:p> </o:p> </font></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%; text-indent: 0; margin-left: 0; margin-right: 0"><font face="Arial" size="3">- &nbsp;Roi, sage ou jardinier&nbsp;? Limage du philosophe  Rome&nbsp;, in <i>Portraits de philosophes&nbsp;: de lide  limage</i>, Actes du colloque de Dijon, 18-18 novembre 1999, B. Curatolo et J. Poirier d., Dijon, Editions Universitaires, 2001, p. 55-64.<o:p> </o:p> </font></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%; text-indent: 0; margin-left: 0; margin-right: 0"><font face="Arial" size="3">- &nbsp;Des Amazones aux animaux-totems&nbsp;: les Romains et lexotisme&nbsp;, in <i>Imaginaire, tourisme et exotisme</i>, <i>Cahiers de lIRSA</i> (Institut de Recherches Sociologiques et Anthropologiques), n 5, mai 2001, Publications de luniversit de Montpellier III, p. 17-26.<o:p> </o:p> </font></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%; text-indent: 0; margin-left: 0; margin-right: 0"><font face="Arial" size="3">- &nbsp;Esquisse dune histoire de la culpabilit  Rome&nbsp; in <i>Hekateia. Au carrefour des savoirs</i> (P. Carmignani et J. Thomas dir.), Perpignan, Presses Universitaires, coll. Etudes, 2002, p. 53-88.<o:p> </o:p> </font></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%; text-indent: 0; margin-left: 0; margin-right: 0"><font face="Arial" size="3">- &nbsp;Les Passeurs dans l<i>Enide</i>&nbsp; in <i>Figures du Passeur</i> (P. Carmignani dir.), Perpignan, Presses Universitaires, 2002, p. 199-216.</font></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%; text-indent: 0; margin-left: 0; margin-right: 0">&nbsp;</p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><font size="3"><i style="mso-bidi-font-style:normal"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman">Etudes sur la symbolique gnrale et les mthodologies de limaginaire&nbsp;:<b style="mso-bidi-font-weight:normal"><o:p> </o:p> </b></span></i><b style="mso-bidi-font-weight:normal"><i style="mso-bidi-font-style:normal"><span style="font-size:12.0pt;mso-bidi-font-size:10.0pt;font-family:Arial;mso-bidi-font-family: &quot;Times New Roman&quot;"><o:p> </o:p> </span></i></b></font></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><font size="3"><span lang="DE" style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman; mso-ansi-language: DE">-&nbsp;Gilbert Durand&nbsp;: resistenza e riconciliazione&nbsp; (trad. </span><span style="font-size:12.0pt; mso-bidi-font-size:10.0pt;font-family:Arial;mso-bidi-font-family:&quot;Times New Roman&quot;">Roberta Alemanni), in <i style="mso-bidi-font-style:normal">Limmaginale</i>, n 22, Lecce, avril 1997, pp. 96-115.<o:p> </o:p> </span></font></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">-&nbsp;Antilles et antiquit classique&nbsp;: rencontre de deux imaginaires fondateurs&nbsp;, in <i style="mso-bidi-font-style:normal">Socit et littrature antillaises aujourdhui</i>, Actes du colloque de novembre 1994, <i style="mso-bidi-font-style:normal">Cahier</i> n 25 de lUniversit de Perpignan, Presses Universitaires, 1997, p. 55-81.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">-&nbsp;Fondation et initiation. Rflexion sur deux niveaux de lecture des systmes mythologiques&nbsp;, in <i style="mso-bidi-font-style: normal">Les Systmes Mythologiques</i>, (J. Boulogne d.), Lille, Presses Universitaires du Septentrion, 1997, p. 18-28.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">-Texte liminaire  l<i style="mso-bidi-font-style:normal">Introduction aux mthodologies de limaginaire</i>, Paris, Ellipses, 1998, p. 15-21.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">-&nbsp;Le XX sicle et les thories formatrices autour de limage&nbsp;; C.G. Jung&nbsp;, in <i style="mso-bidi-font-style:normal">Introduction aux mthodologies de limaginaire</i>, Paris, Ellipses, 1998, p. 83-90.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">-&nbsp;Le XX sicle et les thories formatrices autour de limage&nbsp;; Roger Caillois , in <i style="mso-bidi-font-style:normal">Introduction aux mthodologies de limaginaire</i>, Paris, Ellipses, 1998, p. 96-100.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">-&nbsp;Le XX sicle et les thories formatrices autour de limage&nbsp;;Georges Gusdorf, in <i style="mso-bidi-font-style:normal">Introduction aux mthodologies de limaginaire</i>, Paris, Ellipses, 1998, p. 101-104.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">-&nbsp;Les Pres fondateurs de la notion dimaginaire&nbsp;; Mircea Eliade&nbsp;, in <i style="mso-bidi-font-style: normal">Introduction aux mthodologies de limaginaire</i>, Paris, Ellipses, 1998, p. 121-127.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">-&nbsp;Les Pres fondateurs de la notion dimaginaire&nbsp;;Henry Corbin, in <i style="mso-bidi-font-style:normal">Introduction aux mthodologies de limaginaire</i>, Paris, Ellipses, 1998, p. 128-131.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">-&nbsp;Les Pres fondateurs de la notion dimaginaire&nbsp;; Edgar Morin, in <i style="mso-bidi-font-style:normal">Introduction aux mthodologies de limaginaire</i>, Paris, Ellipses, 1998, p. 132-139.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">-&nbsp;Enjeux et prospectives&nbsp;; limaginaire et les autres concepts exploratoires (systmique, complexit)&nbsp;, in <i style="mso-bidi-font-style:normal">Introduction aux mthodologies de limaginaire</i>, Paris, Ellipses, 1998, p. 161-164.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">- &nbsp;Gilbert Durand, ou le monde comme dialogue&nbsp;, in <i style="mso-bidi-font-style:normal">Dialogues. Hommages offerts  Maurice Roelens</i>, Perpignan, Presses Universitaires, n 29, 1999, p. 317-328.<o:p> &nbsp; </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3"> </o:p> </font> </span></p> <p class="MsoNormal" align="center" style="tab-stops: 272.15pt; line-height: 150%"><b style="mso-bidi-font-weight:normal"><font size="3"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman">Projets de recherche&nbsp;<o:p> </o:p>  <o:p> </o:p> </span></font></b></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><b style="mso-bidi-font-weight:normal"><i style="mso-bidi-font-style:normal"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">Articles en cours de publication&nbsp;:<o:p> </o:p> <o:p> </o:p> </font> </span></i></b></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">- Aot 1999&nbsp;: Colloque <i style="mso-bidi-font-style: normal">Eranos</i> dAscona (Suisse) sur <i style="mso-bidi-font-style:normal">Le Temps</i>. Une confrence (2 heures) sur &nbsp;Limaginaire du temps et de lespace  Rome&nbsp;,  paratre.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">- &nbsp;De la distance  la rintgration. Variations sur le voyage et lexil. Ovide revisit par David Malouf.&nbsp;, colloque de Nice du CRI, mars 2001.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">- Articles &nbsp;Vnus&nbsp; et &nbsp;Camille&nbsp;,  paratre dans le <i style="mso-bidi-font-style:normal">Dictionnaire des mythes fminins</i> (dir. P. Brunel), Paris-Monaco, d. du Rocher.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3">- &nbsp;Limaginaire romain&nbsp;, confrence inaugurale du colloque <i style="mso-bidi-font-style:normal">Ancient Roman Mosacs. Paths through the Classical Mind</i>, Centre Universitaire de Luxembourg, Rencontres Scientifiques, 10 dition, mars 2000.<o:p> </o:p> </font> </span></p> <p class="MsoNormal" style="text-align: justify; tab-stops: 272.15pt; line-height: 150%"><span style="mso-bidi-font-size: 10.0pt; font-family: Arial; mso-bidi-font-family: Times New Roman"><font size="3"> </o:p> </font> </span></p> <p class="MsoNormal" style="line-height: 150%"><span style="font-family:Arial;mso-bidi-font-family:&quot;Times New Roman&quot;"><font size="3">&nbsp;<o:p> </o:p> </font> </span></p>  </body>  </html> 
